Bud Quotes - page 4
A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. And as a day changes so do its subjects, bugs and birds, cates, dogs, butterflies and people.
John Steinbeck
Boobs are the center of power. Boobs can make a 6-month old baby and a 65 year old man both act the same way. And I'm a big fan. Oh, man, I love 'em! And I ain't picky neither. I hate when I hear guys go "I don't like little boobs." I don't care! Big boobs, little boobs, saggy boobs, perky boobs. You could have boobs that look like nanners, I don't give a damn! They're the perfect toy! You squish them, mush them, POOF! They come right back out! You can't even break 'em! Oh, they're amazing. Boobs can make a long trip seem short, make a bad day seem great. [Points to member of the audience] Bud, let's say you had a bad day at work. Boss been chewing you out all day long. Little girl sitting next to you shows you her boobs, you're like, "This day was GREAT!"
Bill Engvall
Each bud flowers but once and each flower has but its minute of perfect beauty; so, in the garden of the soul each feeling has, as it were, its flowering instant, its one and only moment of expansive grace and radiant kingship. Each star passes but once in the night through the meridian over our heads and shines there but an instant; so, in the heaven of the mind each thought touches its zenith but once, and in that moment all its brilliancy and all its greatness culminate. Artist, poet, or thinker, if you want to fix and immortalize your ideas or your feelings, seize them at this precise and fleeting moment, for it is their highest point. Before it, you have but vague outlines or dim presentiments of them. After it you will have only weakened reminiscence or powerless regret; that moment is the moment of your ideal.
Henri-Frédéric Amiel
Bill and I were pretty much the same age bracket, and strangely enough, we both went through the same influences, starting with Nat Cole, going into Bud Powell during the bebop period, and then getting into the Lennie Tristano school orienta-in my particular case, Lee Konitz more than Lennie. I mean, in an era when everybody else was playing funky piano, we... I suppose, in a general category, that made us both the same. Whereby [sic] to my mind, we were both radically different. But after I put out that first album, the reviews started off by saying, "Clare Fischer owes much to Bill Evans." And then, when I would write an album, they would say "Clare Fischer owes much to Gil Evans." And I would call that my Evans brothers syndrome.
Clare Fischer