Spray Quotes - page 2
The Rhine, with two long branches, stretches out and loses itself among inlets and hills, the boats of tourists and of industry smoke, white, black, and gray, and small, small, seem almost not to move; the silver clear, transparent water, calm and ordered, contrasts with all the rest.. ..the water gurgles, the sides of the boat are covered in spray, many people greet each other, white handkerchiefs are waved from on high, the hotels, the flags, the inscriptions, the hills and the pointed tips of the bell towers, everything seems unreal, untouchable.
Giacomo Balla
When I first enjoyed this superb view, one glowing April day, from the summit of the Pacheco Pass, the Central Valley, but little trampled or ploughed as yet, was one furred, rich sheet of golden compositae, and the luminous wall of the mountains shone in all its glory. Then it seemed to me the Sierra should be called not the Nevada, or Snowy Range, but the Range of Light. And after ten years spent in the heart of it, rejoicing and wondering, bathing in its glorious floods of light, seeing the sunbursts of morning among the icy peaks, the noonday radiance on the trees and rocks and snow, the flush of alpenglow, and a thousand dashing waterfalls with their marvelous abundance of irised spray, it still seems to be above all others the Range of Light.
John Muir
Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.
Yasunari Kawabata