Instrumental Quotes - page 3
The optimal scale of the economy is smaller, the greater (a) the degree of complementarity between natural and man-made capital; (b) our desire for direct experience of nature; and (c) our estimate of both the intrinsic and instrumental value of other species. The smaller the optimal scale of the economy, the sooner its physical growth becomes uneconomic.
Herman E. Daly
In June 1977 or thereabouts, while I was still Speaker of the Lok Sabha, I wanted to go to Bombay during a weekend to call on Jayaprakash Narayan who had come back from the United States after medical treatment. I thought I might mention the matter to Prime Minister, Morarji Desai. His reaction was uncharitable to Jayaprakash Narayan as it was unworthy of him. He asked me if it was really necessary for me to "Lionize” JP. It is an admitted fact that JP's prominent role in bringing opposition parties together under one banner was widely acknowledged. It was also well-known that JP had been instrumental in Desai's becoming Prime Minister.
Neelam Sanjiva Reddy
The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.
Joseph Strutt
The only vestige of these musical vagrants now remaining, is to be found in the blind fiddlers wandering about the country, and the ballad singers, who frequently accompany their ditties with instrumental music, especially the fiddle, vulgarly called a crowd, and the guitar. And here we may observe, that the name of fiddlers was applied to the minstrels as early at least as the fourteenth century: it occurs in the Vision of Pierce the Ploughman, where we read, "not to fare as a fydeler, or a frier, to seke feastes."
Joseph Strutt
For Beethoven, music was still shape, realized and inflected by instrumental sonority: other realizations may be as absurd as arrangements of the Hammerklavier, for example, always are, but the musical conception takes precedence over its realization in sound. The sonority serves the music. For Schumann, however, as for Chopin and Liszt, the conception was worked out directly within the sonority as a sculptor works directly in clay or marble. The instrumental sound is shaped into music.
Charles Rosen
By this time Mozart had been dead for almost fourteen years and Haydn was too weak to compose. Beethoven was unchallenged throughout Europe as the greatest living composer of instrumental music. Even more, he was generally recognized as having surpassed his famous predecessors. This, of course, did not prevent critics from greeting each new work as a disappointment after his by then acceptable achievements of the previous years.
Charles Rosen
The absolutely inaudible is rejected from music during the period of Viennese Classicism in which every musical line is potentially or imaginatively audible, but it makes a dramatic reappearance in the music of Schumann. The most striking of many examples is one of the episodes in the Humoresk, the last of the great piano works of Schumann's early years. ... There are three staves: the uppermost for the right hand; the lowest for the left; the middle, which contains the melody, is not to be played. Note that the melody is no more to be imagined as a specific sound than it is to be played: nothing tells us that the melody is to be heard as vocal or instrumental. This melody, however, is embodied in the upper and lower parts as a kind of after-resonance-out of phase, delicate, and shadowy.
Charles Rosen
