Sculptor Quotes - page 2
It is not painter or sculptor who is making himself most nobly immortal. It is he who is making true impressions upon the mind of man; frescoes for eternity, that will not shine out till the light of heaven reveals them; sculptures, not wrought in outward things, but in the inward nature and character of the soul.
Henry Ward Beecher
Something mysterious happened when Barack Obama entered the Oval Office in 2009. Something vanished from that room, and no one could quite explain why. It was a bust of Winston Churchill – the great British war time leader. It was a fine goggle-eyed object, done by the brilliant sculptor Jacob Epstein, and it had sat there for almost ten years. But on day one of the Obama administration it was returned, without ceremony, to the British embassy in Washington. No one was sure whether the President had himself been involved in the decision. Some said it was a snub to Britain. Some said it was a symbol of the part-Kenyan President's ancestral dislike of the British empire – of which Churchill had been such a fervent defender. Some said that perhaps Churchill was seen as less important than he once was. Perhaps his ideas were old-fashioned and out of date. Well, if that's why Churchill was banished from the Oval Office, they could not have been more wrong.
Boris Johnson
I remember when I was a kid at school having to learn a poem of sorts about a fellow named Pig-something--a sculptor he would have been, no doubt--who made a statue of a girl, and what should happen one morning but that the bally thing suddenly came to life. A pretty nasty shock for the chap, of course.
P. G. Wodehouse
On the lines of the mighty and simple strains dominating the movement, and felt intuitively and studied out by him, the master artist groups with full intention, his muscular forms. No detail contradicts. His men and animals live. Such is the work of three or four modern artists. Such was the work of many an old Greek sculptor.
Thomas Eakins
The sculptor carves because he must. He needs the concrete form of stone and wood for the expression of his idea and experience, and when the idea forms the material is found at once. .... I have always preferred direct carving to modelling because I like the resistance of the hard material and feel happier working that way. Carving is more adapted to the expression of the accumulative idea of experience and clay to the visual attitude. An idea for carving must be clearly formed before starting and sustained during the long process of working; also, there are all the beauties of several hundreds of different stones and woods, and the idea must be in harmony with the qualities of each one carved; that harmony comes with the discovery of the most direct way of carving each material according to its nature.
Barbara Hepworth
Our sense of touch is a fundamental sensibility which comes into action at birth – our stereognostic sense – the ability to feel weight and form and assess its significance. The form which have had special meaning for me since childhood have been the standing form (which is the translation of my feelings towards the human being standing in the landscape) the two forms (which is the tender relation of one living thing besides another); and the closed form, such as the oval, spherical or pierced form (sometimes incorporating colour) which translates for me the association and meaning of gesture in landscape; in the repose of say a mother and child.... In all these shapes the translation of what one feels about man and nature must be conveyed by the sculptor in terms of mass, inner tension, and rhythm, scale in relation to our human size and the quality of surface which speaks through our hands and eyes.
Barbara Hepworth
'Circle' was published at last [constructivist manifesto, in 1937 - with Naum Gabo, Ben Nicholson a.o.]. Mondrian has made his studio opposite so very beautiful, and his company was always inspiring, as it had been in Paris when we used to visit him. After a while he really seemed to our domestic scene. His studio and Ben's [the sculptor Ben Nicholson; Barbara was his wife then] were most austere, but my studio was a jumble of children, rocks, sculptures, trees, importunate flowers and washing.
Barbara Hepworth
If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul; that alone matters; it is that which the sculptor or painter should seek beneath the mask of features.
Auguste Rodin
An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
When a good sculptor models a torso, he not only represents the muscles, but the life which animates them - more than the life, the force that fashioned them and communicated to them, it may be, grace or strength, or amorous charm, or indomitable will.
In the works of Michael Angelo, the creative force seems to rumble; in those of Luca della Robbia it smiles divinely. So each sculptor, following his temperament, lends to nature a soul either terrible or gentle.
Auguste Rodin
They are hideous Golgothas, these old intermural cemeteries of ours. In other cities cemeteries are beautiful with all that the art of the gardener and sculptor can give....There the horror is masked. Here it glares at us with empty sockets. The tombs are fissured, or have caved in, or have crumbled down into shapeless bricks and mortar...[and] crawfish undermine the walls to feast upon what is hidden within.
Lafcadio Hearn
I've been educated in some pretty lively barrooms, like the Cedar Bar in New York. And I went to high school with Frank Stella and when he got out of college he went to New York and started painting... I was working with sculpture in a kind of dilatory way, and he said to come up and work in his tiny loft when he wasn't there. At the same time I sort of dabbled in a little bit of painting, and a kind of confusion. I was an eye, ear, nose, and throat person too... One day Frank Stella just said to me, 'Look, if you paint another painting I'm going to cut off your hands.' I asked, 'Can't I become a good painter?' Frank said, 'No, because you are a good sculptor now.' That's really my formal education.... the company of artists is the great education. We educate each other. I've learned from older, wiser people by the old Greek method of sitting down and drinking with them. And that's how I received my education.
Carl Andre
We picked him because he is a great sculptor. The flip side is it makes it quite interesting to work with him because not only was he born in India – he has an Indian father and a Jewish mother of Iraqi heritage – but he lived in Israel for a few years as a young man before he moved to the UK.
Anish Kapoor
Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life.. .The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.
Eugène Delacroix
![The belief that science destroys culture is sometimes supported by historical statements that the arts have flourished only when the sciences have been neglected. This thesis is... directly contrary to history... [I]n the great age of Greece, art and science penetrate one another more closely than in any modern age. ...The example of these men in science as much as in art set the modern world afire in the Renaissance. And the type and symbol of Renaissance man... remains Leonardo da Vinci, painter, sculptor, mathematician, and engineer. No man has shown more strikingly the universality and the unity of the intellect. (Jacob Bronowski)](https://cdn.quotesdtb.com/img/quotes_images_webp/71/jacob-bronowski-age-art-266171.webp)
There is a dreadful discrepancy between Michelangelo's works and the words put into the mouth of Charlton Heston, who represents him here, and this picture - which is mostly about a prolonged wrangle between the sculptor and Pope Julius II (Rex Harrison), who keeps sweeping into the Sistine Chapel and barking, "When will you make an end of it?"
Pauline Kael
