Ornament Quotes - page 4
![The most economical way of obtaining good results is to apply the great, fundamental principles of art; and depend on them for beauty, rather than upon the use of either applied ornament or more expensive materials... much better results are likely to accrue from truth than falsehood, and from architectural [rather] than archaeological methods. (Ernest Flagg)](https://cdn.quotesdtb.com/img/quotes_images_webp/61/ernest-flagg-accrue-art-864961.webp)
The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.
Nicholas Roerich
Gardening is a luxury occupation an ornament, not a necessity, of life.... Fortunate gardener, who may preoccupy himself solely with beauty in these difficult and ugly days He is one of the few people left in this distressful world to carry on the tradition of elegance and charm. A useless member of society, considered in terms of economics, he must not be denied his rightful place. He deserves to share it, however humbly, with the painter and poet.
Vita Sackville-West
I think that 'Ghost Rider: Spirit of Vengeance' was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider's face on it as a tree.
Nicolas Cage
We want, in a word, to fulfil nature's wishes, to further the destinies of humanity, to keep the promises of philosophy, to absolve providence of the long reign of crime and tyranny. So that France, once illustrious among enslaved countries, eclipsing the glory of all the free peoples that have existed, may become the model for all nations, the terror of oppressors, the consolation of the oppressed, the ornament of the universe; and that in sealing our work with our blood, we may at least glimpse the shining dawn of universal felicity. That is our ambition, that is our goal.
Maximilien Robespierre
In fact I am beginning to see a way to provide a place for my line. I am at last finding my way out of the dead-end of ornament where I found myself one day in 1907! With new strength from my naturalistic études [studies], I may dare to give form to enter my prime real of psychic improvisation again. Bound only very indirectly to an impression of nature, I may again dare to give form to what burdens the soul. To note experiences that can turn themselves into linear compositions even in the blackest night. Here a new creative possibility has long since been awaiting me, which only my frustration resulting from isolation interfered with in the past. Working in this way, my real personality will express itself, will be able to emancipate itself into the greatest freedom.
Paul Klee
The Oriental heritage, due to the long sojourn of the Moors in Spain, had a profound influence on the taste of the people. From these Oriental invaders the Spaniards derived the great surfaces of blank wall with occasional spots of luxuriant ornament that characterize nearly all their work. From them also comes the love of bright color shown in the use of polychrome tiles and rich fabrics and in the painting and gilding of sculpture and ornamental motives. While the large constructive forms, particularly vaults and domes, are frankly and simply expressed, the ornament as in the work of the Orient, is rather an incrustation, a mere surface decoration, than a pretense at logical construction.
Clarence Stein
Depraved these styles are called, the one with its ever broken and twisted mouldings, the other with its rich crowded carving, and depraved we may count them, if we are of the school that thinks the purpose of architectural ornament is always to state some fact of construction. The Mexican architects and their workmen were certainly not of this school. They broke their mouldings, turned and curved them and multiplied their ornament for the pure joy it gave them to see the sparkle of the sunlight on their white walls.
Clarence Stein
A truly great architecture grew up in Mexico after the time of the Conquest of Cortez. It was probably not on account of any lack desire on the part of the early Fathers that architecture was not transplanted to California in the days of the Missions. It is apparent their simple crude touches of ornament, that Padres were trying to simulate the richness of the churches of Mexico City and Puebla-they were pitifully limited, however, not only in wealth but also in the skill of the workmen had at hand.
Clarence Stein
