Steep Quotes - page 5
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem-just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc. Poets have used such indicators long before modernism-Dickinson's dashes and capitals are one example. Contemporary composers have also expanded on classical notation with new, self-invented markings. You want to find a way that is not random or chaotic but allows for various renderings of a line, a punctuation of the imagination.
Adrienne Rich
I brought home a no.15 canvas today, it's a drawbridge, with a little carriage going across it, outlined against a blue sky - the river blue as well, the banks orange with greenery, a group of washerwomen wearing blouses and multicoloured bonnets.. .But, my dear brother - you know, I feel I'm in Japan. I say no more than that, and again, I've seen nothing yet in its usual splendour. That's why (even while being worried that at the moment expenses are steep and the paintings of no value), that's why I don't despair of success in this enterprise of going on a long journey in the south. Here I'm seeing new things, I'm learning..
Vincent van Gogh