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Indirect Quotes - page 5 - Quotesdtb.com
Indirect Quotes - page 5
The fundamental solution to the problem of the credibility of religious axioms, and consequently the quintessence of the proofs of God, lies in the ontological correspondence between the macrocosm and the microcosm, that is, in the fact that the microcosm has to mirror the macrocosm; in other words, the subjective dimension, taken in its totality, coincides with the objective dimension, from which the religious and metaphysical truths derive in the first place. What matters is to actualize this coincidence, and this is what Revelation does, in principle or de facto, by awakening, if not always direct intellection, at least the indirect intellection which is faith; credo ut intelligam.
Frithjof Schuon
One may be astonished and even scandalized at the frequency, in religious climates, of more or less unintelligent opinions and attitudes, let it be said without euphemism; the indirect cause of this phenomenon is that religion, the goal of which is to save the largest possible number of souls and not to satisfy the need for causal explanations of an intellectual elite, has no motive for directly addressing the intelligence as such. In keeping with its end and with the capacity of the majority, the religious message is basically addressed to intuition, sentiment, and imagination, and then to the will, and to reason to the extent that the human condition requires it; it informs men of the reality of God, of the immortality of the soul and of their ensuing consequences for man, and it offers man the means of saving himself. It is not, does not wish to be, and cannot be, or offer, anything else, at least not explicitly; for implicitly it offers everything.
Frithjof Schuon
In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.
Richard Wilbur