Resemblance Quotes - page 2
art is fruit growing out of man like the fruit out of a plant like the child out of the mother. While the fruit of the plant grows independent forms and never resembles a balloon or a president in a cutaway suit the artistic fruit of man shows for the most part a ridiculous resemblance to the appearance of other things. Reason tells man to stand above nature and to be the measure of all things. thus man thinks he is able to live and to create against the laws of nature and he creates abortions. through reason man became a tragic and ugly figure. i dare say he would create even his children in the form of vases with umbilical cords if he could do so. reason has cut man off from nature.
Jean Arp
Christopher Wren, the leading architect of London's reconstruction after the great fire of 1666, lies buried beneath the floor of his most famous building, St. Paul's cathedral. No elaborate sarcophagus adorns the site. Instead, we find only the famous epitaph written by his son and now inscribed into the floor: "si monumentum requiris, circumspice”-if you are searching for his monument, look around. A tad grandiose, perhaps, but I have never read a finer testimony to the central importance-one might even say sacredness - of actual places, rather than replicas, symbols, or other forms of vicarious resemblance.
Stephen Jay Gould
Second, by this and other means we are driven to perceive, what is quite evident in itself, that instantaneous feelings flow together in a continuum of feeling, which has in a modified degree the peculiar vivacity of feeling and has gained generality. And in reference to such general ideas, or continua of feeling, the difficulties about resemblance and suggestion and reference to the external, cease to have any force.
Charles Sanders Peirce
In the development of any science, the first received paradigm is usually felt to account quite successfully for most of the observations and experiments easily accessible to that science's practitioners. Further development, therefore, ordinarily calls for the construction of elaborate equipment, the development of an esoteric vocabulary and skills, and a refinement of concepts that increasingly lessens their resemblance to their usual common-sense prototypes. That professionalization leads, on the one hand, to an immense restriction of the scientist's vision and to a considerable resistance to paradigm change. The science has become increasingly rigid. On the other hand, within those areas to which the paradigm directs the attention of the group, normal science leads to a detail of information and to a precision of the observation-theory match that could be achieved in no other way.
Thomas Samuel Kuhn
The instinct to synthesize is a good one so long as it is concerned with elements that are capable of forming a whole. But today the man in the street is fed, morally as well as physically, on a mass of debris which has no resemblance to a nourishing diet. There is no method in this madness, which is the very negation of culture.
Georges Duhamel
What do you have to say to that?"
"Oh, very little, to be sure, Master Kosta. It's so hard to think, overawed as I am with the sublime genius of your plan."
"That bears some vague resemblance to sarcasm."
"God forfend," said Jean. "You wound me! Your inexpressible criminal virtues have triumphed again, as inevitably as the tides come and go. I cast myself at your feet and beg for absolution. Yours is the genius that nourishes the heart of the world."
"And now you're-"
"If only there was a leper handy," interrupted Jean, "so you could lay your hands on and magically heal him.
Scott Lynch
The evolution of earth-cult to sky-cult shifts woman into the nether realm. Her mysterious procreative powers and the resemblance of her rounded breasts, belly, and hips to earth's contours put her at the center of early symbolism. She was the model for the Great Mother figures who crowded the birth of religion worldwide. But the mother cults did not mean freedom for women. On the contrary [...] cult objects are prisoners of their own symbolic inflation. Every totem lives in taboo.
Camille Paglia
Idiotic statements like "porn degrades women” or "pornography is the subordination of women” are only credible if you never look at pornography. Preachers, senators and feminist zealots carry on about material they have no direct contact with. They usually rely on a few selectively culled inflammatory examples that bear little resemblance to the porn market as a whole. Most pornography shows women in as many dominant as subordinate positions, with the latter usually steamily consensual.
Camille Paglia
There's a reason the left's rhetoric bears such a striking resemblance to some of the nuttier religions: Abhorring real religions, liberals refuse to condemn what societies have condemned for thousands of years - e. g., promiscuity, divorce, illegitimacy, homosexuality. Consequently the normal human instinct to condemn something bubbles up against a legion of quite modern vices, such as smoking, fur, red meat, excessive consumption, and land development.
Ann Coulter
Though sincerity and confidence have many points of resemblance, they have yet many points of difference. Sincerity is an openness of heart, which shows us what we are, a love of truth, a dislike to deception, a wish to compensate our faults and to lessen them by the merit of confessing them.
François de La Rochefoucauld
If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul; that alone matters; it is that which the sculptor or painter should seek beneath the mask of features.
Auguste Rodin
No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.
Martin Amis
