Recollection Quotes - page 5
Life may contain the "essence" (what else could?); recollection, the repetition in imagination, may decipher the essence and deliver to you the "elixir"; and eventually you may even be privileged to "make" something out of it, "to compound the story." But life itself is neither essence nor elixir, and if you treat as such it will only play its tricks on you.
Hannah Arendt
When, from a long distant past, nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised for a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest and bear unfaltering ... the vast structure of recollection.
Marcel Proust
What we sow here, we reap there! Can it be supposed that the soul will enjoy a reward or endure a retribution for deeds of which it has no recollection? Is the thing possible? Will it enjoy the bliss of heaven, praising Christ forever as its great Saviour, without any remembrance of the sins and sufferings from which He redeemed and saved it? The idea is absurd.
Randolph Sinks Foster
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
Federico Fellini
The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the "tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation.
Max Scheler
A few years ago, I had the good fortune of running across a first edition of Paul's textbook (not the recent reprint of the original text, but an actual 1948 edition). It was a real find. I bought the volume in an online auction for, if my recollection is correct, $35. Talk about consumer surplus! I would have gladly paid many times that.
At the next Boston Fed meeting, I took the book along to get Paul to sign it. Below is the book's title page, along with Paul's gracious inscription.
Paul Samuelson
This is a life of extremes
Both sides are slippery and enticing
These are my places off the rails
And this, my loose recollection of a falling
I barely remember who I failed
I was just trying to keep it together.This is my first wave of my white flag
This is the sound of me hitting bottom
This, my surrender, if that's what you call it
In the anatomy of my crash.
Alanis Morissette
The principle that I am laying down I am not laying down exceptionally for Ireland. It is the very principle upon which, within my recollection, to the immense advantage of the country, we have not only altered, but revolutionized our method of governing the Colonies. ... England tried to pass good laws for the Colonies at that period; but the Colonies said-"We do not want your good laws; we want our own." We admitted the reasonableness of that principle, and it is now coming home to us from across the seas. We have to consider whether it is applicable to the case of Ireland. ... I ask that in our own case we should practise, with firm and fearless hand, what we have so often preached-the doctrine which we have so often inculcated upon others-namely, that the concession of local self-government is not the way to sap or impair, but the way to strengthen and consolidate unity.
William Ewart Gladstone
I tell you again that the recollection of the manner in which I saw the Queen of France in the year 1774 and the contrast between that brilliancy, Splendour, and beauty, with the prostrate Homage of a Nation to her, compared with the abominable Scene of 1789 which I was describing did draw Tears from me and wetted my Paper. These Tears came again into my Eyes almost as often as I lookd at the description. They may again. You do not believe this fact, or that these are my real feelings, but that the whole is affected, or as you express it, 'downright Foppery'. My friend, I tell you it is truth-and that it is true, and will be true, when you and I are no more, and will exist as long as men-with their Natural feelings exist.
Edmund Burke
My recollection of meeting him [ Jackson Pollock ] outside of this one incident, was at a show that John Graham did at the MacMillin Gallery [1942]. He invited someone called Jackson Pollock and myself, and, I believe, de Kooning. There were three unknown Americans put into that show and it turned out we were the three and it was through that source, my trying to track down the other unknown American who was painting abstractly at that point, as though I knew them all in New York City.. ..and I promptly went up to Pollock's studio and that's when I say I met Pollock for the first time.. ..And then, you see, after I saw Pollock, met him, saw the work, I said, "I understand the third painter is de Kooning," and he said he didn't know de Kooning and I said, "Well, I do and I'll take you over and introduce you." So I brought Pollock up to de Kooning's studio. De Kooning was in a loft at that time because he was something, and that is how Pollock met De Kooning.
Lee Krasner
I think it is absolute and unimpeachable testimony to a book's impact on us that we are able to associate it so keenly with the time and the surroundings and the circumstances in which we read it. Only a very great work can produce this memory; [...] There is what psychologists call a gestalt, an unforgettability of interwoven emotions with which the work will ever in recollection be connected with the environment. Somehow the excitement of reading All the King's Men is always linked in my mind with the howling blizzard outside and the snow piling up in a solid white impacted mass outside my basement window. [...] I finished All the King's Men as in a trance, knowing once and for all that I, too, however falteringly and incompletely, must try to work such magic.
William Styron
The experimental universal is acquired by us, whose mind's eye is not purely spiritual, only through the help of the senses. For when the senses several times observe two singular occurrences, of which one is the cause of the other or is related to it in some other way, and they do not see the connection between them... And from this perception repeated again and again and stored in memory, and from the sensory knowledge from which the perception is built up, the functioning of the reasoning begins. The functioning reason therefore begins to wonder and to consider whether things really are as the sensible recollection says, and these two lead the reason to experiment... But when he has administered many times with the sure exclusion of all other things [that could be mistaken for the cause]... then there is formed in the reason this universal... and this is the way in which it comes from sensation to a universal experimental principle.
Robert Grosseteste
I blocked out second grade completely. I have no recollection of it. I always talk to my mom and my grandma about it. It was because I cried every day. I didn't understand the culture. I didn't understand the people. I didn't understand the language. My first sentence of my essay to get into college was like, 'Imagine being blind and deaf at age seven.' And that's kind of what it felt like moving to the States.
Mila Kunis
