Egyptian Quotes - page 3
One extraordinary fiction of the Egyptian mythology was the supposed intervention of a masculo-feminine principle, to which was assigned the development of the embryo world, somewhat in the way of incubation. For the doctrine was, that when the first chaotic mass had been produced, in the form of an egg, by a self-dependent and eternal Being, it required the mysterious functions of this masculo-feminine demi-urgus to reduce the component elements into organized forms.
Charles Lyell
The earliest doctrines of the Indian and Egyptian schools of philosophy agreed in ascribing the first creation of the world to an omnipotent and infinite Being. They concurred also in representing this Being, who had existed from all eternity, as having repeatedly destroyed and reproduced the world and all its inhabitants. ...We have no right to refer to mere chance the prevailing notion that the earth and its inhabitants had formerly undergone a succession of revolutions and catastrophes, interrupted by long intervals of tranquility.
Charles Lyell
All the art since the Renaissance seemed too men-oriented. I liked (the) object quality. An Egyptian pyramid, a Sung vase, the Romanesque church appealed to me. The forms found in the vaulting of a cathedral or even a splatter of tar on the road seemed more valid and instructive and a more voluptuous experience than either geometric or action painting.
Ellsworth Kelly
My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..
Ellsworth Kelly
The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.
Peter Greenaway
Naguib Mahfouz, an Egyptian novelist who was the first Arabic writer to receive the Nobel Prize for literature and who was often considered the greatest writer in the Arab world... lived his entire life in Cairo, which provided the inspiration and backdrop for almost all of his writing... He set most of his works in the ancient Islamic quarter of Cairo, with its mosques and serpentine alleys teeming with shopkeepers, metalsmiths, government workers, peasants, prostitutes and thieves. His vibrant novels portraying life at every level of society were often likened to those of such other writers of urban social realism as Charles Dickens, Honore de Balzac and Emile Zola.
Naguib Mahfouz
Our overriding interest throughout these past few years has been to encourage a government that legitimately reflects the will of the Egyptian people, and recognizes true democracy as requiring a respect for minority rights and the rule of law, freedom of speech and assembly, and a strong civil society.
Barack Obama
I will talk to my sister, my daughter and my mother, the women, in July 24, when I asked you to gave me the mandate and the order to combat possible terrorism, The Egyptian woman with all her plainness, took her husband, her children, her food during Ramadan and took the streets. and the world watched her. take them again and let the world see you again.
Abdel Fattah el-Sisi
I want to tell you that, when the army of Egypt came down the streets, came to protect you, and stayed for 18 months, none of the soldiers harmed you, Our hands must be cut if they would harm you. I am repeating this for you to know, during those 18 months, there were 150,000 soldier in the streets. it means for 500 days with 150,000 soldier in the street there were 7.5 million possibilities, we were struggling not to harm any Egyptian!
Abdel Fattah el-Sisi
There must be tough security measures. You guys isolate that and you deal with it from a human rights perspective only. We are responsible for the Egyptian people, whom I consider my own family. How could I be comfortable knowing that there could be a human rights violation against these people.
Abdel Fattah el-Sisi
I have a weakness for Egyptian sculpture: its figures are sculptured gods, sculptured ideas. Very different in expression, Hindu sculpture is based on very similar assumptions... The oriental people are much more artistic than we. When nations grow old, their art grows complicated and soft.
Aristide Maillol
The old theory that [the Great Pyramid] was built as a vault or tomb for an Egyptian king is unworthy of credence; for, as we shall see, it required more than the wisdom of the present day, to say nothing of that of Egypt four thousand years ago, to design such a structure. Besides, it contains nothing in the way of a casket, mummy or inscription. It was not until we had come into the time called in Daniel's prophecy "the Time of the End", when knowledge should be increased, and the wise should understand God's plan (Dan. 12:4, 9, 10), that the secrets of the Great Pyramid began to be understood, and our questions began to have a reasonable answer.
Charles Taze Russell
