Critique Quotes - page 2
Admirers of the ‘purified' Nietzsche have been hard put to unite his sanctioning of barbarity with an often subtle and rarefied cultural critique. But we can easily dispose of this dichotomy. In the first place, the union of ultra-refinement and brutality was by no means a personal quirk requiring psychological elucidation, but a universal, psychical-moral distinguishing mark of imperialist decadence.
György Lukács
If philosophy is still necessary, it is so only in the way it has been from time immemorial: as critique, as resistance to the expanding heteronomy, even if only as thought's powerless attempt to remain its own master and to convict of untruth, by their own criteria, both a fabricated mythology and a conniving, resigned acquiescence. ... It is incumbent upon philosophy ... to provide a refuge for freedom. Not that there is any hope that it could break the political tendencies that are throttling freedom throughout the world both from within and without and whose violence permeates the very fabric of philosophical argumentation.
Theodor Adorno
But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn't care less if the person to whom I show what I do likes it or not - it takes all sorts to make a world and all that. To criticize is to put oneself in someone else's shoes and try to figure out what they wanted to do. Only the "why” of things is important to me.
Henri Cartier-Bresson
And what has Don Quixote left, do you ask? I answer, he has left himself, and a man, a living and eternal man, is worth all the theories and all the philosophies. Other peoples have left chiefly institutions, books; we have left souls; St. Teresa is worth any institution, any Critique of Pure Reason.
Miguel de Unamuno
Nature is supposed to become greater to me than people. It ought to speak louder from me. I should feel small in the face of nature's enormity. That is the way Mackensen [her teacher, painter in Worpswede] thinks it should be. That is the alpha and omega of all critique. What I should learn, he says, is a more devout representation of nature. It seems that I let my own insignificant person step to the forefront too much.
Paula Modersohn-Becker
He [ Hans Hofmann one of her art teachers] would come up to me [1937-38], look at my work, and do a critique half in English and half in German, but certainly nothing I could understand. When he left the room I would call George McNeil, who was then the monitor, over and I would ask: 'What did this man say to me?' Hoffman was teaching Cubism and that was pretty exciting. Matisse and Picasso were my highlights. It was as though I was swinging between them. First I started to work with color and then there was a heavy swing toward the linear.
Lee Krasner
Just released in 1994 is Christina Hoff Sommers's landmark study, Who Stole Feminism?, which uses ingenious detective work to unmask the shocking fraud and propaganda of establishment feminism and the servility of American media and academe to Machiavellian feminist manipulation. This bracingly precise, fact-based book should be required reading for every journalist. Sommers is a courageous academic philosopher who was one of the very first to systematically critique current feminist ideology and who took tremendous abuse for it. ... Sommers has done a great service for women and for feminism, whose fundamental precepts she has clarified and strengthened.
Camille Paglia
Nobody can ever quite say what's wrong exactly. But they all know it's evil. They all know 'corporate' is a dirty word. And if somebody's having fun or getting rich - disgusting! Evil! And it's always the death of this and the death of that. And people who think they're free aren't 'really' free. And people who think they're happy aren't 'really' happy. And it's impossible to radically critique society anymore, although what's so radically wrong with society that we need such a radical critique, nobody can say exactly.... Here things are getting better and better for women and people of color, and gay men and lesbians, more and more integrated and open, and all you can think about is some stupid, lame problem with signifiers and signifieds.
Jonathan Franzen
The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music.... The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating.
Susan McClary
