Chord Quotes - page 5

The topic of leadership is a touchy one. A lot of leaders fail because they don't have the bravery to touch that nerve or strike that chord. Throughout my years, I haven't had that fear. (Kobe Bryant)
Music to me is spontaneous, writing is spontaneous and it's all based on not trying to do it. From beginning to end, whether it's writing a song, or playing guitar, or a particular chord sequence, or blowing a horn, it's based on improvisation and spontaneity.
Van Morrison
It's tough to play the right chord on the instrument when there's someone out there who wants to kill you.
Darrell Hammond
See, records have helped me to fall in love, no question. I hear something new, with a chord change that melts my guts, and before I know it I'm looking for someone, and before I know it I've found her.
Nick Hornby
There is in souls a sympathy with sounds And as the mind is pitch'd, the ear is pleased With melting airs or martial, brisk, or grave Some chord in unison with what we hear Is touch'd within us, and the heart replies.
William Cowper
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
Geddy Lee
Feeling that the silver chord of life is loosing, and that his spirit is ready to quit her old companion the body, he extends himself on his bed - closes his eyes for the last time, with his own hands - folds his arms decently on his breast, then breathing out "Father of mercies! take me to thyself," - he fell asleep. Swift on angels' wings the brightening saint ascended; while voices more than human were heard (in Fancy's ear) warbling through the happy regions, and hymning the great procession towards the gates of heaven. His glorious coming was seen far off, and myriads of mighty angels hastened forth, with golden harps, to welcome the honored stranger.
Mason Weems
I've been fascinated with arcane chord progressions since I was young. The trick is to keep them interesting, while still in the realm of 'normality' (otherwise the listener has no context to appreciate the progressions in).
Andrew Sega
Well anyone can make a 'weird' [chord] progression by randomly picking triads.
Andrew Sega
We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.
Andrew Sega
So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song... so many variables that it's almost impossible to predict how a song will affect a given person. (Andrew Sega)
I've always maintained that it's easy to make a film on Adolf Hitler. What is difficult is to find out why he struck a chord with the German people; what is the nature of fear, aspiration and identity that he evoked in them that it became Hitler's Germany.
Saeed Akhtar Mirza
People listen to the music and sense what it is about. Sometimes they know exactly what the songs are about, sometimes they interpret their own meaning to the music, and that's great when this happens because it shows it's striking a chord.
Enya
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
Paul Simon
Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.
Angus Young
Every person, every race, every nation, has its own particular keynote which it brings to the general chord of life and of humanity.
Annie Besant
I used to practice scales, but I think mainly in positions. I do runs that go from position to position, basically around chord shapes. I can get around pretty easily from one position to another, and on a good night it sound pretty hot. I'll take chances. Sometimes I'll trip over myself, but most times I'm lucky.
Albert Lee
Sometimes an ill favored bitch gnaws a good chord.
James Howell
As when in harp and song adept, a bard Unlab'ring strains the chord to a new lyre.
Homer
I had a concussion nine years ago, and that changed things. I had always been sensitive musically, but now, since the concussion, I find the emotion is there immediately. There is no build. I hear several chord changes - it could be three or four chord changes from a string orchestra - and, man, I'm just gushing tears. I don't take it as a weakness. Sometimes it might get slightly embarrassing to observers. On the other hand, I'm not putting it on. I'm in no way trying to exaggerate feeling. My feelings are exactly the opposite. Sometimes I wish I wouldn't be quite as sensitive because then I wouldn't have to go through this thing when I write.
Clare Fischer
I had gone to hear the winner of that year's drum and bugle corps competition. That band played a chord that made every hair on my body stand up. I've been in front of great symphony orchestras, and the greatest bands, but I've never had my hair stand up quite like that. That's when I decided to write for the bugles. (Clare Fischer)
I'm gonna take a wild guess-I think that was Buddy DeFranco, and possibly the Glenn Miller Orchestra. The band strikes me as an enigma, in that, first of all, some interesting harmonic things are happening as far as the individual voicings are concerned, but yet it's played in an older, tighter fashion. For instance, the bass player, if there are chord changes happening every two beats, plays the root for two beats, then the next root for two beats-that type of sound. The harmony, especially in the opening part where the theme is established, is a lot more modern than that kind of band would normally sound. I think that they're playing that way to keep that Miller identity, with that rhythmic tightness.
Clare Fischer
In 1992 by chance I witnessed a drum and bugle corps competition on television and became aware of three-valve bugles. A year later my wife, Donna, and I attended a performance in La Mirada of the previous year's winner. I have experienced fine concert band performances and also good symphonies in my life, but what was not prepared for what I experienced that day. The entire bugle corps was turned away from us playing softly and suddenly they turned toward us and projected a very thick chord. Every hair on my body stood up (and I have a lot of it) and I decided at that moment to buy some of these instruments. In the next year I purchased approximately $14,000 worth of bugles. After having completed an orchestrational family all the way down to the contrabass bugle, I began writing. This album is the result of this particular interest in my sixth decade in music.
Clare Fischer
At this point, I wouldn't want to jinx it by meeting him. His arrangements are incredible. I just send him a tape, we talk on the phone, and he sends me the finished orchestra tracks. Hear that? I'm gonna get that chord on the radio!
Prince (musician)
Whatever happens, don't give up and don't despair. Results may not be immediately apparent, but you may have touched a receptive chord without knowing it. Even the most unsympathetic and unenlightened politician, industrialist or bureaucrat begins to take notice when a lot of people write about the same subject.
Prince Philip, Duke of Edinburgh