Imagery Quotes - page 3
We comprehend... that nuclear power is a real danger for mankind, that over-crowding of the planet is the greatest danger of all. We have understood that the destruction of the environment is another enormous danger. But I truly believe that the lack of adequate imagery is a danger of the same magnitude. It is as serious a defect as being without memory. What have we done to our images? What have we done to our embarrassed landscapes? I have said this before and will repeat it again as long as I am able to talk: if we do not develop adequate images we will die out like dinosaurs.
Werner Herzog
In France at least, the history of science and thought gives pride of place sciences, sciences of the necessary, all close to philosophy: one can observe in their history the almost uninterrupted emergence of truth and pure reason. The other disciplines, however - those, for example, that concern living beings, languages, or economic facts - are considered too tinged with empirical thought, too exposed to the vagaries of chance or imagery to age old traditions and external events, for it to be supposed that their history could be anything other irregular. At most, they are expected to provide evidence of a state of mind, an intellectual fashion, a mixture of archaism and bold conjecture, of intuition and blindness. But what if empirical knowledge, at a given time and in a given culture, did possess a well defined regularity.
Michel Foucault
An artist must pass judgment only on what he understands; his range is limited as that of any other specialist-that's what I keep repeating and insisting upon. Anyone who says that the artist's field is all answers and no questions has never done any writing or had any dealings with imagery. An artist observes, selects, guesses and synthesizes.
Anton Chekhov
The gist of my argument is that men like Kraepelin, Bleuler and Freud were not what they claimed or seem to be-namely, physicians or medical investigators; they were, in fact, religious-political leaders and conquerors. Instead of discovering new diseases, they extended, through psychiatry, the imagery, vocabulary, jurisdiction, and hence the territory of medicine to what they were not, and are not, diseases in the original Virchowian sense.
Thomas Szasz
For millennia, the dialectic of vilification and deification and, more generally, of invalidation and validation-excluding the individual from the group as an evil outsider or including him in it as a member in good standing-was cast in the imagery and rhetoric of magic and religion. ... With the decline of the religious world view and the ascent of the scientific method during the Renaissance and the Enlightenment, the religious rhetoric of validation and invalidation was gradually replaced by the scientific. One of the most dramatic results of this transformation is the lexicon of psychiatric diagnoses functioning as a powerful, but largely unacknowledged, rhetoric of rejection and stigmatization.
Thomas Szasz
To answer your first question - most significantly the [ Federal Art Project ] project was my training ground in the real sense of the word. I feel very strongly about this. We were all poor, or most of us, and to have the time and opportunity to continue working - I was then in my twenties which is the important period - the crucial period for the young painter. This was most important and figures significantly in my own development. Although I feel that my personal image as a painter did not come about until I began my easel painting with personal imagery which was about 1941. The project kept me alive and working - it was my education.
Phillip Guston
In Poetry I have a few axioms, and you will see how far I am from their centre. I think Poetry should surprise by a fine excess and not by singularity - it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance - Its touches of Beauty should never be halfway thereby making the reader breathless instead of content: the rise, the progress, the setting of imagery should like the Sun come natural to him - shine over him and set soberly although in magnificence leaving him in the luxury of twilight - but it is easier to think what Poetry should be than to write it - and this leads me on to another axiom. That if Poetry comes not as naturally as the leaves to a tree it had better not come at all.
John Keats
And then along came Satan's Eye Itself. Television.” He laughed, as at some fatal irony. "Don't you hear the evil hum of the word, the knell of Satan? Television! It's the ruling character of your lives, like the moon must have been for Indians. An oracle, a companion, a signal of the changing seasons. But rather than divine illumination, each night it spews forth Satan's imagery. Murders, car crashes, mad policemen, perverted strangers! And you lie there decomposing in its flickering, blue-gray light, absorbing His horrid fantasies!
Lucius Shepard
the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..
Hendrik Werkman
The religious imagery and fairytales that formed our shared cultural references have been replaced by the cult of celebrity. Marilyn is the sex goddess, Camilla Parker Bowles is cast as the wicked witch, Che Guevara is the revolutionary. Celebrities have become visual shorthand for narratives that shape our lives.
Alison Jackson
