Outline Quotes - page 4
Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture.
Alfred Stieglitz
The social distribution of knowledge thus begins with the simple fact that I do not know everything known to my fellowmen, and vice versa, and culminates in exceedingly complex and esoteric systems of expertise. Knowledge of how the socially available stock of knowledge is distributed, at least in outline, is an important element of that same stock of knowledge.
Peter L. Berger
My intention was to give a general outline, to sketch a general division and, as it were, a provisional plan of a domain that has not been studied so far and which should be the result of work for many generations of linguists. The reader is therefore requested to consider this book a simple introduction to the science which I propose to call semantics.
Michel Bréal
.. when the terrible storm and high flood of water raged most fearfully, I went to Schevelinge.... sea and sky seemed to be one [undivided] element; at the height where I stood - because the sea had already washed away dunes and stood up to the village – the view was horrible; the wailing of the inhabitants awful. - when arriving home, I immediately put a sketch of all this on paper - but that sketch represented so little of what I had seen on the spot itself.... [where] no part turned up itself of which I could make a sketch.... [so it] will be necessary for me to return to Scheveningen again and to outline those places where the water has raged most violently.. (translation from original Dutch: Fons Heijnsbroek)
Andreas Schelfhout
One of Collingwood's earliest attempts to define the aesthetic essence of art. His aim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others -- "that art is as bottom neither more nor less than imagination" -- but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.
R. G. Collingwood
Firmly incased in this solid rocky structure, beyond the power of nature's storms or of the ruthless hand of the destroyer, the outline drawings of God's great plan have stood for four thousand years, prepared to give their testimony at the time appointed, in corroboration of the similarly revealed, but for ages hidden, testimony of the sure Word of Prophecy. The testimony of this "Witness to the Lord in the land of Egypt," like that of the written Word, points with solemn and unerring precision to the final wreck of the old order of things of the "Pit" of oblivion, and to the glorious establishment of the new, under Christ Jesus, the great Chief Corner-stone of God's eternal building, in conformity with the lines of whose glorious character all things worthy of everlasting existence must be built up under him. Amen! Amen! Thy Kingdom come! Thy will be done on earth as it is done in heaven!
Charles Taze Russell
