Twenties Quotes - page 6
I spent a lot of my twenties wanting a maid, really. I thought I wanted a relationship, but I just wanted somebody to fix and nurse me, and I'd take her hostage for six months. When you're 23, 24, you want to be in a relationship because they look brilliant - you've heard all the songs about it and seen all the movies and it looks great.
Robbie Williams
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
Robert Redford
I love Turkey. I first traveled there in my early twenties, when I was obsessed by the 1915 Dardanelles campaign. I immediately liked the people - brave, stoical, generous, hospitable and patriotic, if a little inclined to conspiracy theories. I saw Turkey as a model for the region, a successful, Western-oriented Muslim democracy.
Daniel Hannan
As soon as the British drew them into the political process (founding of Muslim League in 1906) in order to use them as a counter-weight against the Indian National Congress, they immediately made heavy and hurtful demands on the Hindus, such as the unlimited right to slaughter cows, and they started working for political separation. First they obtained separate electorates where Muslim candidates would only have to please Muslim voters, and later they would succeed in separating a Muslim state from India. By the twenties, they took to the unscrupled use of muscle power in a big way, creating street riots and outright pogroms.
Koenraad Elst
The more I have thought about Figures of Earth - and its sequel The Silver Stallion - the more remarkable they have come to seem. Looking back, one can now understand the abrupt fluctuations of Cabell's fame. ... Published when Cabell was forty-two, the chronicle of Manuel the Redeemer was not a book for the Young nor was it a book in the mood of the twenties. The story of the ambitious man of action who is cowardly, malignant and treacherous and who does not even enjoy very much what his crimes and double-dealing have won him, but who is rapidly, after his death, transformed into a great leader, a public benefactor and a saint, has the fatal disadvantage for a novel that the reader finds no inducement to identify himself with its central figure. Yet I am now not sure that this merciless chronicle in which all the values are negative except the naked human will, is not one of the best things of its kind in literature - on a plane, perhaps, with Flaubert and Swift.
Edmund Wilson
So, um... I've been working on this special now for six months. And the whole time I've had a... a goal in mind, which is I wanted to finish this thing before I turned 30. Um, because the idea of turning 30, while still in this fucking room, working on this thing alone, um, that just seemed... I just... I just wanted to avoid that. And you might be thinking, "Well, that's fine. You know, look at you, You radiate such youth, You must not be turning 30 for years." And that's very, uh, nice of you to say. But the truth is um, I turn 30 in less than a minute. So I'm just gonna sit here and enjoy my twenties, and then get back to work. Yay.
Bo Burnham
Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire - whether verse or prose - is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.
Wyndham Lewis
I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at.
I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind - even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling.
Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!
Bono
