Texture Quotes - page 3
![[Concerning the Sugar Pine] The wood is deliciously fragrant, and fine in grain and texture; it is of a rich cream-yellow, as if formed of condensed sunbeams. (John Muir)](https://cdn.quotesdtb.com/img/quotes_images_webp/50/john-muir-concerning-fine-303650.webp)
Recently I was visited by a very good friend who had just returned from a long walk in the woods, and I asked her what she had observed. "Nothing in particular,” she replied. I might have been incredulous had I not been accustomed to such responses, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In spring I touch the branches of trees hopefully in search of a bud, the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me.
Helen Keller
The spiritual experience of the philosopher is the nourishing soil of philosophy; that without it there is no philosophy; and that, even so, spiritual experience does not, or must not, enter into the intelligible texture of philosophy. The pulp of the fruit must consist of nothing but the truth.
Jacques Maritain
Throughout time painting has alternately been put to the service of the Church, the State, arms, individual patronage, scientific phenomena, anecdote and decoration ... all the marvelous works that have been painted, whatever the sources of inspiration, still live for us because of absolute qualities they possess in common. The creative force and the expressiveness of painting reside materially in the colour and texture of pigments, in the possibilities of form invention and organisation, and in the flat plane on which these elements are brought into play.
Man Ray
Part of the unknown reality, then, is hidden beneath language and the enforced pattern of accustomed words-so, for an exercise, look about your environment. Make up new, different 'words' for the objects that you see about you. Pick up any object, for example. Hold it for a few seconds, feel its texture, look at its color, and spontaneously give it a new name by uttering the sounds that come into your mind. See how the sounds bring out certain aspects of the object that you may not have noticed before. The new word will fit as much as the old one did. It may, in fact, fit better. Do this with many objects, following the same procedure. You can instead say the name of any object backwards. In such ways you break up to some extent the automatic patterning of familiar phrases, so that you can perceive the individuality that is within each object.
Robert Butts
Consequently, limestone when taken out of the kiln... though its bulk remains the same as before, it is found to have lost about a third of its weight owing to the boiling out of the water. Therefore, its pores being thus opened and its texture rendered loose, it readily mixes with sand, and hence the two materials cohere as they dry, unite with the rubble, and make a solid structure.
Vitruvius
6 A wall is called isodomum when all the courses are of equal height; pseudisodomum, when the rows of courses do not match but run unequally. Both kinds are strong: first, because the rubble itself is of close texture and solid, unable to suck the moisture out of the mortar, but keeping it in its moist condition for a very long period; secondly, because the beds of the stones, being laid smooth and level to begin with, keep the mortar from falling, and, as they are bonded throughout the entire thickness of the wall, they hold together for a very long period.
Vitruvius
I like to work from things that I see, whether they're man-made or natural or a combination of the two... The things that I'm interested in have always been there. The idea of a shadow and a natural object has existed, like the shadow of the pyramids, or a rock and its shadow; I'm not interested in the texture of the rock, or that it is a rock, but in the mass of it, and its shadows.
Ellsworth Kelly
As if the butterfly, like the artist, were conscious of something not entirely congenial in the child's nature, it alternately sparkled and grew dim. At length it arose from the small hand of the infant with an airy motion that seemed to bear it upward without an effort, as if the ethereal instincts with which its master's spirit had endowed it impelled this fair vision involuntarily to a higher sphere. Had there been no obstruction, it might have soared into the sky and grown immortal. But its lustre gleamed upon the ceiling; the exquisite texture of its wings brushed against that earthly medium; and a sparkle or two, as of stardust, floated downward and lay glimmering on the carpet.
Nathaniel Hawthorne
So long as we love life for itself, we seldom dread the losing it. When we desire life for the attainment of an object, we recognize the frailty of its texture. But, side by side with this sense of insecurity, there is a vital faith in our invulnerability to the shaft of death while engaged in any task that seems assigned by Providence as our proper thing to do, and which the world would have cause to mourn for should we leave it unaccomplished.
Nathaniel Hawthorne
The short man was all of a piece, but there was nothing reassuring in this; it was a piece of the same material that too many high school principals, boys' camp directors, and military and naval officers are made of: a texture or quality often dignified by the description, "ability to command”-the desire to bully, override, bear down-the capacity to do so by virtue of office-the habit of having done so for a long time and the confidence of continuing to do so for a long time.
Avram Davidson
Living with the conditions of slavery and then later segregation, many Negroes lost faith in themselves. Many came to feel that perhaps they were less than human, perhaps they were inferior. But then something happened to the Negro. Circumstances made it possible and necessary for him to travel more. The coming of the automobile, the upheavals of two world wars, the great depression. So his rural plantation background gradually gave way to urban industrial life. His economic life was gradually rising and even his cultural life was gradually rising through the steady decline of crippling illiteracy. All of these forces conjoined to cause the Negro to take a new look at himself. His religion revealed to him that God loves all of his children and that all men are made in His image. That the basic thing about a man is not his specificity but his fundamental. Not the texture of his hair or the color of his skin but his eternal dignity and worth.
Martin Luther King Jr.
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel's wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine -
Unweave a rainbow, as it erewhile made
The tender-person'd Lamia melt into a shade.
John Keats
I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture - how shall I put it - a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.
Patrick White
