Beethoven Quotes - page 6
To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann's works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,' ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.
Burkard Schliessmann
A utopia or heaven on earth is a place where every would-be Mozart has access to a piano and violin before the age of five, where every would-be Beethoven is empowered to compose music in spite of deafness, where every individual can get quality education regardless of their socioeconomic status and place of residence, and where everyone is given good health and freedom to pursue their dreams.
Newton Lee
If I tend to reread the European past in my own Postmodern image, if I frequently write about Bach and Beethoven in the same ways in which I discuss the Artist Formerly Known as Prince and John Zorn, it is not to denigrate the canon but rather to show the power of music all throughout its history as a signifying practice. For this is how culture always works-always grounded in codes and social contracts, always open to fusions, extensions, transformations. To me, music never seems so trivial as in its 'purely musical' readings. If there was at one time a rationale for adopting such an intellectual position, that time has long since past. And if the belief in the nineteenth-century notion of aesthetic autonomy continues to be an issue when we study cultural history, it can no longer be privileged as somehow true.
Susan McClary
I don't like women. I never did. That's why I don't belong to women's lib. Most of my relatives were male. Women are the inferior sex. There's no doubt about it - women are the inferior sex, in every way. There's never been any woman genius - never. With all the opportunity in the world - all the leisure in the world, all the shelter - if women had any genius, it would've come out. It never did. There's been no woman Michelangelo, or Beethoven, or Mozart.
Taylor Caldwell
Sibelius is unquestionably a leader in the front rank of symphonic composers. He has got out of the ruts worn by his predecessors far more completely than Brahms got away from Beethoven, or even Richard Strauss from Wagner. If someone would only burn Finlandia he would come to our young people as an entirely original inventor of a new art form and a new harmony technique.
Jean Sibelius
Art forms of the past were really considered elitist. Bach did not compose for the masses, neither did Beethoven. It was always for patrons, aristocrats, and royalty. Now we have a sort of democratic version of that, which is to say that the audience is so splintered in its interests.
David Cronenberg
Look at why Jesus strictly avoided speaking the language of the theologians of his day. It's plain to see what an enormous liberation there lies in hearing something about God in the words of poetry. Imagine that we would speak about God in the music of Mozart and Beethoven or in the pictures of van Gogh... It would be impossible to fight wars over the true faith in the Name of Mozart or van Gogh... The language of poetry, the parables of Jesus, is international. You can't and mustn't pour them into dogmas.
Eugen Drewermann
