Spectator Quotes - page 7
When the political history of the Blair era is written, it may well be concluded that the most effective conservative opposition came not from politicians, but journalists. It often seems that the charge against New Labour is led by the Telegraph and Spectator, by Charles Moore and Boris Johnson, or from some Murdoch journalists, rather than by William Hague. So perhaps it should not comes [sic] as a complete surprise that the most sustained, internally logical and powerful attack on Tony Blair and all his works should be a polemic by a right-wing journalist, Peter Hitchens, rather than a Tory pamhlet or an MP's speech. ...
On much of this agenda, Hitchens is simply out of time. ... [T]he idea of a widespread return to a belief in literal damnation, to public hostility towards homosexuals and the shaming of single mothers, seems utterly implausible.
Peter Hitchens
People say he is a great player, but you have to define what a great player is. For me, it is a player who has a bottom level that means his worst performance is not noticed. If he is having a bad game, a teammate might feel Paul Scholes is not quite on his game, but a spectator wouldn't notice. Scholes, of all the players I have played with, has the highest bottom level. He has an eye for a pass, for what the play or the game needs at that precise moment, that I have never seen anyone else have. These days he doesn't get into the box too many times, which is where you can see his age, but he has developed tactically. He controls and distributes the play and the game better than anyone I have ever seen.
Paul Scholes
A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds. Thus, if you have to represent a man of noble character in the act of speaking, let his gestures be such as naturally accompany good words; and, in the same way, if you wish to depict a man of a brutal nature, give him fierce movements; as with his arms flung out towards the listener, and his head and breast thrust forward beyond his feet, as if following the speaker's hands. Thus it is with a deaf and dumb person who, when he sees two men in conversation - although he is deprived of hearing - can nevertheless understand, from the attitudes and gestures of the speakers, the nature of their discussion.
Leonardo da Vinci