Joseph Quotes - page 4
![Just as some survivors of the Standard Gravure massacre expressed sympathy with Joseph Wesbecker, [Robert] Mack was, to many, a kind of hero. This is a crucial point, because in the case of real random murderers like serial murders, survivors never express sympathy with the murderer. However, in rebellions, survivors often do sympathize, particularly if the rebel belongs to the same oppressed group as they do. (Mark Ames)](https://cdn.quotesdtb.com/img/quotes_images_webp/45/mark-ames-case-express-262445.webp)
In the treaty councils the commissioners have claimed that our country had been sold to the Government. Suppose a white man should come to me and say, "Joseph, I like your horses, and I want to buy them." I say to him, "No, my horses suit me, I will not sell them." Then he goes to my neighbor, and says to him: "Joseph has some good horses. I want to buy them, but he refuses to sell." My neighbor answers, "Pay me the money, and I will sell you Joseph's horses." The white man returns to me and says, "Joseph, I have bought your horses, and you must let me have them." If we sold our lands to the Government, this is the way they were bought.
Chief Joseph
Q. Can you give us more information concerning the name Ruburt?
A. That was Jane's name long ago as yours was Joseph. Both represented high points for your entities, images in the mental genes, blueprints for the spirit to follow. Joseph and Ruburt represent the full scope of your earthly personalities, towards which you must grow. But in another sense, you are already Joseph and Ruburt, since the blueprint exists. Through each life the individual tries to follow his. The pattern is not imposed, but is the entity's own outline.
Robert Butts
Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting. The reason is rather apparent: If you know that a situation is 'imaginary,' you are not going to come to grips with it.
Robert Butts
Did Stalin make mistakes? Of course he did. In so long a period filled with heroism, trials, struggle, triumphs, it is inevitable not only for Joseph Stalin personally but also for the leadership as a collective body to make mistakes. Which is the party and who is the leader that can claim to have made no mistakes in their work? When the existing leadership of the Soviet Union is criticized, the comrades of the Soviet leadership advise us to look ahead and let bygones be bygones, they tell us to avoid polemics, but when it comes to Stalin, they not only did not look ahead but they turned right round, completely backward, in order to track down only the weak spots in Stalin's work.
Enver Hoxha
For some variation it would be better
to place the donkey seen from behind
[to avoid] all faces looking out of the picture [forward]
And the tree could also have more foliage.
1. Joseph has been portrayed too fat and too recklessly
2. Mary should hold the child more gently
because a vulnerable child can't stand being held so firmly
Joseph is too short fat - his head is growing from his trunk
and both [Joseph & Mary] their heads are too big.
Rembrandt
Somebody in Germany [the German artist Joseph Beuys, who frequently visited America to discuss and to do performances] has been talking about my 'silence', saying that it is overrated. What does that mean? [this quotes you find also in Joseph Beuys' quotes on Wikiquote], he himself heard this 'rumor' from several American artists! (Joseph Beuys continued: 'I am convinced that he [= Duchamp] knew very well what it meant. If he was unsure about it, he could have written me a letter').
Marcel Duchamp
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
Jerry Saltz
I have two thoughts [on the question of interviewer Joseph S. Trovato: 'Were the projects a good thing for American art?']. That practically all of the best painters of my generation developed on the projects such as Pollock, de Kooning, Brooks, Hague (sculptor), B. Greene, and Baziotes. I could go on and on. My second thought is that the reason it was good is that it had a broad base due to the economic situation we were in - the depression - and all kinds of art and styles, plus all degrees of talent were employed. Everybody was given an opportunity to prove himself. The many painters I mentioned above who have come such a long way is proof of this.
Phillip Guston
All men have heard of the Mormon Bible, but few except the "elect" have seen it, or, at least, taken the trouble to read it. I brought away a copy from Salt Lake. The book is a curiosity to me, it is such a pretentious affair, and yet so "slow," so sleepy; such an insipid mess of inspiration. It is chloroform in print. If Joseph Smith composed this book, the act was a miracle - keeping awake while he did it was, at any rate. If he, according to tradition, merely translated it from certain ancient and mysteriously-engraved plates of copper, which he declares he found under a stone in an out-of-the-way locality, the work of translating was equally a miracle, for the same reason.
Mark Twain
The next phase of the work was when Joseph LeDoux and I came up with the idea of the interpreter. Twenty-five years into studying these patients we finally got around to asking the patients, "Why did you do that?" after they had a response with the left hand that was being governed by the separated, silent, speechless right hemisphere. We began to understand that the left hemisphere "made up" a story as to why the patient did what he/she did, and in that moment we began to see the cardinal feature of the left hemisphere: the ability to interpret actions generated outside its realm of conscious awareness.
Michael Gazzaniga
In this connection I call to mind Genesis, chapter xlvii...the pathetic story of the years of plenty and the years of famine in Egypt, and how Joseph, with that opportunity, made a corner in broken hearts, and the crusts of the poor, and human liberty--a corner whereby he took a nation's money all away, to the last penny...then took the nation itself, buying it for bread, man by man, woman by woman, child by child, till all were slaves...and it was a disaster so crushing that its effects have not wholly disappeared from Egypt to-day... Was Joseph establishing a character for his race which would survive long in Egypt? and in time would his name come to be familiarly used to express that character--like Shylock's? It is hardly to be doubted. Let us remember that this was centuries before the Crucifixion.
Mark Twain
My own personal theory is that Joseph built the pyramids to store grain. Now all the archaeologists think that they were made for the pharaohs' graves. But, you know, it would have to be something awfully big if you stop and think about it. And I don't think it'd just disappear over the course of time to store that much grain.
And when you look at the way that the pyramids are made, with many chambers that are hermetically sealed, they'd have to be that way for a reason. And various scientists have said, "Well, you know there were alien beings that came down and they have special knowledge and that's how they were”-you know, it doesn't require an alien being when God is with you.
Ben Carson
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.
Michael Caine
