Marble Quotes - page 3
Questions of convergence under an infinite time horizon will depend so much on epsilontic refinements in the system of assumptions - and on the infinite constancy of these refinements - that we are humanly speaking absolutely certain of getting infinite time horizon results which have no relevance to concrete reality. And in particular we are absolutely certain of getting irrelevant results if such epsilontic exercises are made under the assumption of a constant technology. 'In the long run we are all dead.' These words by Keynes ought to be engraved in marble and put on the desk of all epsilontologists, in growth theory under an infinite horizon.
Ragnar Frisch
Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere - buttons to call for food, for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. and there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
E. M. Forster
I became aware that in Hank's recorded songs were the archetype rules of poetic songwriting. The architectural forms are like marble pillars and they had to be there. Even his words - all of the syllables are divided up so they make perfect mathematical sense. You can learn a lot about the structure of songwriting by listening to his records.
Hank Williams
I am sure I do not know why the beauty of Monte Carlo should not satisfy more than it does. The bluest of all seas is nowhere bluer than when you see it between the marble balustrades of the long white terrace before the casino, palms are nowhere greener than in that high garden which the mountain screen from every unkind breath, no colours could be more rich and various than those of the red and purple Alps that tower up behind the town, on whose summit such violent thunderstorms gather and break. But for me, at least, there was not at all the pleasure I had anticipated in this dazzling white and blue, these feathery palms and ragged Alps. ...I had a continual restless feeling that there was nothing at all real about Monte Carlo; that the sea was too blue to be wet, the casino too white to be anything but pasteboard, and that from their very greenness the palms must be cotton. ... in atmosphere and spirit the entire kingdom of Monaco is an extension of the casino.
Willa Cather
Above them,
parades mark the passing of days
through parks where pale colonnades arch
in marble and steel,
where all of the Twenty Thousand attending your foot fall
(and the Cause that they died for)
are lost in the idling birdcalls,
and the records they left are cryptic at best,
lost in obsolescence.
Joanna Newsom
A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.
Barbara Hepworth
Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life.. .The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.
Eugène Delacroix
It would be different if there were some great widespread public indignation and demand: "Away with the prescriptive upper house of Parliament". There is not. There was recently carried out by Mr. McKenzie and a colleague of his a survey of working-class political attitudes called Angels in Marble. They found that "only one-third of the entire working class sample, and only a slightly higher proportion of Labour voters, favoured abolishing the Lords or altering it in any way...About a third of the whole sample" of working-class voters in the country "see the Lords as an intrinsic part of the national tradition or of the government of the country." As so often, the ordinary rank and file of the electorate have seen a truth, an important fact, which has escaped so many more clever people-the underlying value of that which is traditional, of that which is prescriptive.
Enoch Powell
