Fourteen Quotes - page 2
It may not sound very consistent with any such professed humility on my part, if I say to you that, after having served for the Quaternions during fourteen years, and having (as America seems to think) won my Rachel-to be my own by an intellectual marriage-I now wish to wind up several scientific projects, from which those quaternions had for a long time diverted me; and feel as if I were entering, or had already entered, on a new harvest of labour and reputation. As to Fame, if it have not been won or earned already, it is not likely that any future exertion will make it mine.
But as to the Labour; that is a thing within everybody's power to judge of, even for himself. I have very long admired Ptolemy's description of his great astronomical Master, Hipparchus... "a labour-loving and truth-loving man."-Be such my epitaph!
William Rowan Hamilton
So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.
John Cage
He had been a handsome man, when they married, fourteen years ago. A handsome, happy man, proud and kind, very good at his work. There had been a splendor to him, a wholeness.
That was gone. There was no more room in the world for whole people, they took up too much space. What she had done to him was only a part of the general program for cutting him and people like him down to size, for chopping and paring and breaking up, so that in the texture of life nothing large, nothing hard, nothing grand should remain.
Ursula K. Le Guin
Now the Disney Corporation could do this because that culture lived in a commons, an intellectual commons, a cultural commons, where people could freely take and build. It was a lawyer-free zone.
It was culture, which you didn't need the permission of someone else to take and build upon. That was the character of creativity at the birth of the last century. It was built upon a constitutional requirement that protection be for limited times, and it was originally limited. Fourteen years, if the author lived, then 28, then in 1831 it went to 42, then in 1909 it went to 56, and then magically, starting in 1962, look - no hands, the term expands.
Eleven times in the last 40 years it has been extended for existing works - not just for new works that are going to be created, but existing works. The most recent is the Sonny Bono copyright term extension act.
Lawrence Lessig
When I was fourteen, I was so bloody ugly and I thought I was Kate Moss. I chased this guy named Mark Rennie, who was the hottest photographer in Portland, around, convinced him to [take pictures of me]. I had this big schnoz, I had blusher on, I'm wearing white gloves, and I [was] making new wave faces, and, like, voguing... there was a gap in my teeth, and I was 180 pounds. So if someone calls me ugly, it sort of rolls off my back because it's not about looks, it's about attitude-you get laid on attitude.
Courtney Love