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Lively Quotes - page 3 - Quotesdtb.com
Lively Quotes - page 3
Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen... I doubt whether I would have done what I have done... I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?
John Cage
Of errors and defects we certainly have not less than our full share, enough to keep the reformer awake, the statesman busy, and the country in a pretty lively state of agitation for some time to come. Perfection is an object to be aimed at by all, but it is not an attribute of any form of government. Mutability is the law for all. Something different, something better, or something worse may come, but so far as respects our present system and form of government, and the altitude we occupy, we need not shrink from comparison with any nation of our times. We are to day the best fed, the best clothed, the best sheltered and the best instructed people in the world.
Frederick Douglass
It is by a blend of lively curiosity and intelligent selfishness that the artists who wish to mature late, who feel too old to die, the Goethes, Tolstoys, Voltaires, Titians and Verdis, reach a fruitful senescence. They cannot afford to associate with those who are burning themselves up or preparing for a tragedy or whom melancholy has marked for her own. Not for them the accident-prone, the friend in whom the desire for self-destruction keeps blistering out in broken legs or threatening them in anxiety-neuroses. Not for them the drumming finger, the close-cropt nail, the chewed glasses, the pause on the threshold, the wandering eye, or the repeated ‘um' and ‘er.'
Cyril Connolly
Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.
Thomas Wolfe
I've been educated in some pretty lively barrooms, like the Cedar Bar in New York. And I went to high school with Frank Stella and when he got out of college he went to New York and started painting... I was working with sculpture in a kind of dilatory way, and he said to come up and work in his tiny loft when he wasn't there. At the same time I sort of dabbled in a little bit of painting, and a kind of confusion. I was an eye, ear, nose, and throat person too... One day Frank Stella just said to me, 'Look, if you paint another painting I'm going to cut off your hands.' I asked, 'Can't I become a good painter?' Frank said, 'No, because you are a good sculptor now.' That's really my formal education.... the company of artists is the great education. We educate each other. I've learned from older, wiser people by the old Greek method of sitting down and drinking with them. And that's how I received my education.
Carl Andre