Statue Quotes - page 5
Let us never forget that the deep things that are American are the soul and the spirit. The Statue of Liberty is not tired, and not because it is made of bronze. It is because no matter what happens, here the individual is dignified because he is created in the image of his God. Let us not forget it.
Dwight D. Eisenhower
Every experience in life, everything with which we have come in contact in life, is a chisel which has been cutting away at our life statue, molding, modifying, shaping it. We are part of all we have met. Everything we have seen, heard, felt, or thought has had its hand in molding us, shaping us.
Orison Swett Marden
Art is complex, I said to Rodin, who smiled because he felt that I was struggling with nature.... the beauty of Rodin's art is.... in the thoughts he embodied. As for me, I just take a walk on the beach. A young girl appears. From that girl walking there emanates a soul. That is That is at I want to give my statue, that thing alive, yet immaterial. In composing the figure of one young girl I must give the impression that there are all young girls. From the spirit, my feeling passes into my fingers.
Aristide Maillol
"In AH 631 he invaded Malwah, and after suppressing the rebels of that place, he destroyed that idol-temple which had existed there for the past three hundred years.... "Next he turned towards Ujjain and conquered it, and after demolishing the idol-temple of Mahakal, he uprooted the statue of Bikramajit together with all other statues and images which were placed on pedestals, and brought them to the capital where they were laid before the Jami‘ Masjid for being trodden under foot by the people.”110.
Iltutmish
Firstly for the design I decided that the two joined figures should be depicted upright [in Zadkine's first attempt the two brothers were sitting shoulder to shoulder].... two or three days later I was able to send him a photo of my new attempt, in which the two brothers are not only standing, but where the bond – the main idea is projected onto the statue in a hollow, in the heart of the composition the viewer can see a knot of hands, a symbol of the double inspiration.
Ossip Zadkine
In every human being, there are dormant memories which suddenly rise to the surface of the conscious mind. Niobe, for instance, developed out of one of my most remote childhood recollections. A cholera epidemic had broken out in the Smolensk area, and there were many casualties. One day, on the top of a hill, I saw a giant of a peasant with arms raised toward the sky crying out his grief at having lost his children. From this image, which emerged from my subconscious mind many years later, came the statue of Niobe.
Ossip Zadkine
The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.... to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.
Ossip Zadkine
How should one approach the person of van Gogh in order to be able to build a statue of him? How can one place him outside of himself, separate him from the tragic character of his life? How can one build a statue in the open air which simultaneously evokes the rare and the new person who was van Gogh, as also the enormity of the new aspect of the current and future art of painting?
Ossip Zadkine
Muhammad Kasim then entered and all the town people came to the temple of Nobhar, and prostrated themselves before an idol. Muhammad Kasim enquired: 'Whose house is this, in which all the people high and low are respectfully kneeling and bowing down.' They replied: 'This is an idol-house called Nobhar.' Then, by Muhammad Kasim's order, the temple was opened. Entering it with his officers he saw an equestrian statue. The body of the idol was made of marble or alabaster, and it had on its arms golden bracelets, set with jewels and rubies. Muhammad Kasim stretched his hand and took off a bracelet from one of the idol's arms. Then he asked the keeper of the Budh temple Nobhar: 'Is this your idol?' 'Yes,' he replied, 'but it had two bracelets on, and one is missing.' 'Well' said Muhammad Kasim, 'cannot your god know who has taken away his bracelet?
Muhammad bin Qasim
If we look at the parpens piled up on the building site or at the block of bronze, nothing about them manifests that they are suited to being a house or a statue. ... Aristotle speaks of the materials considered as such in terms of "the buildable" (I, 201a 16, b Bf), coining an adjective whose suffix expresses capacity (what he calls dunamis). This capacity, as we have seen, cannot be grasped after the manner of that with which perception provides us (color, hardness, etc.); it requires a gaze capable of probing more deeply, of proceeding from the real to the possible-as when Michelangelo "sees" a David in the formless block abandoned by other sculptors.
Rémi Brague
It seems ironic that for most of my career I have been trying to perfect smooth and life-like animation action, but for Talos (which was the longest animation section of the film), it was necessary to create a deliberately stiff and mechanical movement in keeping with a bronze statue that had sprung to life.
Ray Harryhausen
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
Dave Gibbons
