Contemporaries Quotes - page 8
It is a difficult thing to tell the story of a life, and yet more difficult when that life is one's own. At the best, the telling has a savour of vanity, and the only excuse for the proceeding is that the life, being an average one, reflects many others, and in troublous times like ours may give the experience of many rather than of one. And so the autobiographer does his work because he thinks that, at the cost of some unpleasantness to himself, he may throw light on some of the typical problems that are vexing the souls of his contemporaries, and perchance may stretch out a helping hand to some brother who is struggling in the darkness, and so bring him cheer when despair has him in its grip. Preface.
Annie Besant
Other Venetians may, in one or the other way, more irresistibly enlist our sympathies, or may shine out for the moment more brilliantly in some special branch of their art; yet, after all, we find ourselves invariably comparing them to Titian, not Titian to them, taking him as the standard for the measurement of even his greatest contemporaries and successors. ..
.He is the greatest painter of the sixteenth century, just because, being the greatest colorist of the higher order, and in legitimate mastery of the brush second to none, he makes the worthiest use of his unrivaled accomplishment, not merely to call down the applause due to supreme pictorial skill and the victory over self-set difficulties, but, above all, to give the fullest and most legitimate expression to the subjects which he presents, and through them to himself.
Titian
In The Night Watch, again in Amsterdam, we have the feeling of communication: that something dramatic is happening before our very eyes. This scene of a company of guards painted as a group portrait was very popular in Rembrandt's day. The only other Dutch painter who could do anything at all with the subject was Frans Hals, who did it several times and rather well. But the conventions prevailing at the time were for such a group portrait to consist of an inert line of figures which was boring in the extreme. Rembrandt, tackling this subject, sees it as a dramatic event but also as an entirely realistic everyday occurrence... It was probably the most ambitious painting in size and scope that Rembrandt had painted up to that time, but it began his downfall among his contemporaries and from then his popularity waned. As his painting got better and better, he got poorer and poorer - so much for the Dutch public of his day and their taste in art! p. 404.
Rembrandt
Rembrandt is the most transparent artist I know. What he proclaimed as his credo, the commentaries of his contemporaries and what we find in the drawings all add up to one obsessively truthful, artist. One who proclaimed that he drew from nature (life) and 'anything else (invention) was worthless in his eyes'. He could not have been clearer, yet because this credo directly contradicts the apparent credo of our times: the more an artist differs from nature the more 'creative' that artist is, Rembrandt's true gift to us has been excised.
Rembrandt
But among all the discoveries and corrections probably none has resulted in a deeper influence on the human spirit than the doctrine of Copernicus.... Possibly mankind has never been demanded to do more, for considering all that went up in smoke as a result of realizing this change: a second Paradise, a world of innocence, poetry and piety: the witness of the senses, the conviction of a poetical and religious faith. No wonder his contemporaries did not wish to let all this go and offered every possible resistance to a doctrine which in its converts authorized and demanded a freedom of view and greatness of thought so far unknown indeed not even dreamed of.
Johann Wolfgang von Goethe
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience-the knowledge that our mighty deeds will come to the ears of our contemporaries or "of those that are to be." We are ready to sacrifice our true, transitory self for the imaginary eternal self we are building up, by our heroic deeds, in the opinion and imagination of others.
Eric Hoffer
On recent and contemporary literature [students'] need is least and our help least. They ought to understand it better than we, and if they do not then there is something radically wrong either with them or with the literature. But I need not labour the point. There is an intrinsic absurdity in making current literature a subject of academic study, and the student who wants a tutor's assistance in reading the works of his own contemporaries might as well ask for a nurse's assistance in blowing his own nose.
C. S. Lewis
