Remark Quotes - page 6
In the preceding section attention was called to the fact that every point p of the straight line produces a separation of the same into two portions such that every point of one portion lies to the left of every point of the other. I find the essence of continuity in the converse, i. e., in the following principle:
"If all points of the straight line fall into two classes such that every point of the first class lies to the left of every point of the second class, then there exists one and only one point which produces this division of all points into two classes, this severing of the straight line into two portions."
...every one will at once grant the truth of this statement; the majority of my readers will be very much disappointed in learning that by this commonplace remark the secret of continuity is to be revealed.
Richard Dedekind
The first rule of life is to reveal nothing, to be exceptionally cautious in what you say, in whatever company you may find yourself. If you have a secret, you have only to whisper it to your dearest friend with the strictest injunction that it will go no further, and within half a day the story is all over town, and when you do make what would seem to be a perfectly sensible remark, you will find it reported in the most grotesque form, thus incurring no end of criticism to rebound upon you.
Elizabeth Aston
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
Lindsay Duncan
Mathematicians tells us that it is easy to invent mathematical theorems which are true, but that it is hard to find interesting ones. In analyzing music or writing its history, we meet the same difficulty, and it is compounded by another. For whom is it interesting? To paraphrase a famous remark of Barnett Newman, musicology is for musicians what ornithology is for the birds.
Charles Rosen
Nigel Barton (On TV): I feel I don't belong here, that's my trouble.
Interviewer (on TV): Well, where do you belong? At home?
Harry Barton: Of course!
Nigel Barton (on TV): No, I'm afraid I don't. Now it hurts to say this, of course, but it's the truth. Back at home, in the village, in the workingmen's club, with people I went to school with, I'm so much on the defensive, you see. They suspect me of making qualitative judgments about their environment, you understand, but it's not that I wish to do so. Yet I even find my own father looking at me oddly some times, waiting to pounce on some remark, some expression in my face, watching me like a hawk. I don't feel at home in either place. I don't belong. It's a tightrope between two different worlds, and I'm walking it.
Harry Barton: You're a bloody liar, Nigel!
Dennis Potter
No book is fairly judged till it is read twice, and at distant periods. It is curious to note the variation of taste in ourselves. I can remember I devoured the story keenly, dwelt on all that partook of sentiment, and never questioned the depth of any remark. I now find that I take chief interest in what brings out character. I enter more into the humourous, and am every now and then tempted to analyse the truth of a deduction. I think more over what I am reading, and delight more in connecting the world of fiction with that of reality.
Letitia Elizabeth Landon
The favourite volume whose reading we commend, is inevitably connected with ourselves - it must bring to our image those lonely hours when the recurrence of an image has such influence - it invests that image with the associations of poetry and fiction, and thus redeems it from the common-place of ordinary life. There is also the sympathy of taste - and how much may be inferred from a passage pencilled originally for no other eyes but our own. Then, too, a book is the prettiest stepping stone to a correspondence ; it seems such a simple thing to write a note of thanks, and so natural to add some slight remark on the author ; and how often is the criticism of an author's sentiments but the expression of our own !
Letitia Elizabeth Landon
This... excuse of the provocative slogans leading mechanically to stone-throwing and worse, is used routinely by biased reporters.... A procession with about 100 women members of Durga Vahini had gone out to the Ghanta Ghar area. "There they raised communal slogans, resulting in stone-pelting and bomb-throwing." (Remark the belief in mantra magic: a slogan is uttered, and hocus pocus, a bomb explodes.) This cheap excuse for a pre-planned bomb attack is even contradicted by other information in the same article.... This case proves that newspapers keep on blaming the slogan-shouters even when it is crystal-clear from their own information that the violence was premeditated and engineered by the other side.
Koenraad Elst
Canned laughter: After some supposedly funny or witty remark you can hear the laughter and applause included in the soundtrack of the show itself - here we have the exact counterpart of the Chorus in classical tragedy; it is here that we have to look for 'living Antiquity.' That is to say, why this laughter? The first possible answer - that it serves to remind us when to laugh - is interesting enough, because it implies the paradox that laughter is a matter of duty and not of some spontaneous feeling; but this answer is not sufficient because we do not usually laugh. The only correct answer would be that the Other - embodied in the television set - is relieving us even of our duty to laugh - is instead laughing for us. So even if, tired from a hard days stupid work, all evening we did nothing but gaze drowsily into the television screen, we can say afterwards that objectively, through the medium of the other, we had a really good time.
Slavoj Žižek
