Curtain Quotes - page 8
How do you stand this? I don't care who you are; man, woman, gay, straight, black, white, Jew, gentile, it doesn't make any difference - how do you stand this? I can't. I can not...I can't handle this- You wanna know how I deal with this? When I finish these topics, or these letters, or these diaries, or these reports, and the show's over, I have to blank my mind - literally. Can you do that? I can, I have learned how to do that. I blank it out. I don't know where Israel is, I don't know what Palestinian means, I don't know what burned and mutilated children have to do with anything - it means nothing, it goes away. I must draw a dark black curtain in my consciousness. I can not deal with this, how do you? I have children, I've had children, I have grand-children, I have a four-and-a-half year-old... This is not right! This is not right...
Mike Malloy
He would be, of course, announcing his candidacy for the Presidency. And that is an event that would send shivers of joy, dread, anger and ecstasy throughout the country like nothing since, well ... like nothing since Robert Kennedy's declaration on March 16, 1968. Except that this time feelings would run higher still. Even the Kennedy haters, and those who long ago dismissed this youngest of the Kennedy brothers as a talentless trader on family reputation, and those, too, who crossed him off after Chappaquiddick, could not help but be stirred by the realization that the curtain was being raised on the final act of an incredible American epic.
Ted Kennedy
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt