Bull Quotes - page 4
With a long slow stride, limping a little from his blistered feet, Bud walked down Broadway, past empty lots where tin cans glittered among grass and sumach bushes and ragweed, between ranks of billboards and Bull Durham signs, past shanties and abandoned squatters' shacks, past gulches heaped with wheelscarred rubbishpiles where dumpcarts were dumping ashes and clinkers, past knobs of gray outcrop where steamdrills continually tapped and nibbled, past excavations out of which wagons full of rock and clay toiled up plank roads to the street, until he was walking on new sidewalks along a row of yellow brick apartment houses, looking in the windows of grocery stores, Chinese laundries, lunchrooms, flower and vegetable shops, tailors', delicatessens. (pp. 23-24)
John Dos Passos
Leninism is orthodox, obdurate, irreducible, but it does not contain so much as a hint of formalism, canon, not bureaucratism. In the struggle, it takes the bull by the horns. To make out of the traditions of Leninism a supra-theoretical guarantee of the infallibility of all the words and thoughts of the interpreters of these traditions, is to scoff at genuine revolutionary tradition and transform it into official bureaucratism. It is ridiculous and pathetic to try to hypnotize a great revolutionary party by repetition of the same formulae, according to which the right line should be sought not in essence of each question, not in the methods of posing and solving this question, but in formation of a biographical character.
Leon Trotsky
Early artists considered the human body, that forked radish, that defenseless starfish, a poor vehicle for the expression of energy, compared to the muscle-rippling bull and the streamlined antelope. Once more it was the Greeks, by their idealization of man, who turned the human body into an incarnation of energy, to us the most satisfying of all, for although it can never attain the uninhibited physical flow of the animal, its movements concern us more closely. Through art we can relive them in our own bodies, and achieve thereby that enhanced vitality which all thinkers on art, from Goethe to Berenson, have recognized as one of the chief sources of aesthetic pleasure.
Kenneth Clark