Costume Quotes - page 3
We have no architecture to work from at all; indeed, we have not even settled the point de depart... our art... is domestic, and... the best way of advancing its progress is to do our best in our own houses... if we once manage to obtain a large amount of art and colour in our sitting-rooms... the improvement may gradually extend to our costume, and perhaps eventually to the architecture of our houses.
William Burges
Since the great French Revolution all colour has been gradually dying out of the male costume, until we have got reduced to our present gamut of brown, black and neutral tint; which, combined with the chimney-pot hat and the swallow-tailed coat, form a costume by no means particularly adapted to refresh the eye seeking for form or colour.
William Burges
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day: to paint the man, in short, as well as his features; in arrangement of colours to treat a flower as his key, not as his model. This is now understood indifferently well – at least by dressmakers. In every costume you see attention is paid to the key-note of colour which runs through the composition, as the chant of the Anabaptists through the 'Prophète', or the Hugenots' hymn in the opera of that name.
James McNeill Whistler
A lot of times I would play a lot of roles a man would play...In One Million Years B.C.-yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn't that pushover kind of a girl. And I think that left an impression.
Raquel Welch
I go into the make-up chair one hour before my call. I get make up, hair, and costume all done up and then I sometimes have a bit of breakfast. We start filming, and go until around lunchtime. I am not used in every shot so when I have breaks I go in my room and do schoolwork. After lunch we go back work, I go on and off set a normal day. When we wrap for the day I go home and relax or go swimming or maybe to the movies.
Julianna Rose Mauriello
Hutte, for instance, used to quote the case of a fellow he called "the beach man ". This man had spent forty years of his life on beaches or by the sides of swimming pools, chatting pleasantly with summer visitors and rich idlers. He is to be seen, in his bathing costume, in the corners and backgrounds of holiday snaps, among groups of happy people, but no one knew his name and why he was there. And no one noticed when one day he vanished from the photographs. I did not dare tell Hutte, but I felt that " the beach man " was myself. Though it would not surprised him if I had confessed it. Hutte was always saying that, in the end, we we're all " beach men " and that the sand keeps the traces of our footsteps only a few moments "
Patrick Modiano
Behind her chair, from a wall covered in a very expensive velvet-flock paper, a portrait of her grandfather looked down. He had been an Episcopalian bishop, but the picture showed him in the costume of a New England gentleman keeping up the Old English custom of riding to hounds: red coat, brown boots, distinguished with a white dog-collar and black silk front.
Hugh referred to him as being dressed to kill.
The salad was replaced-though Hugh had sampled only a mouthful of his-by a dish of cold fish with mayonnaise. He didn't even touch this course. He was suddenly afraid of it because it had come from the sea.
John Brunner
