Lip Quotes - page 3
Do they lie? Fervently. Do they steal? Only silver and gold. Do they remember? I am in constant touch. Hardly a day passes. The children. Some can't spell, still. Took a walk in the light-manufacturing district, where everything's been converted. Lots of little shops, wine bars. Saw some strange things. Saw a group of square steel plates arranged on a floor. Very interesting. Saw a Man Mountain Dean dressed in heavenly blue. Wild, chewing children. They were small. Petite. Out of scale. They came and went. Doors banging. They were of different sexes but wore similar clothes. Wandered away, then they wandered back. They're vague, you know, they tell you things in a vague way. Asked me to leave, said they'd had enough. Enough what? I asked. Enough of my lip, they said. Although the truth was that I had visited upon them only the palest of apothegms-the one about the salt losing its savor, the one about the fowls of the air.
Donald Barthelme
Death before dishonour." I always used to wonder, Hey, exactly how much dishonour are we talking about here? 'Cause I could handle quite a lot. I would, for instance, fellate a Smurf before I picked death. I'd cook him a little Smurf omelette as I was doing it, you know, I'd be perfectly happy doing that. Seasoning it with thyme, you know, listening to his happy satisfied Smurf lip smacks. But every man thinks about Smurfs. They don't say it, but they do. That's why I'm here-to be honest. Just once, you know, what would it be like? Nobody needs to know, you go away for the weekend. Just once, to have the blue salty bulb lolling on your tongue... if I don't say it, nobody else will.
Dylan Moran
In movies, the balance between art and business has always been precarious, with business outweighing art, but the business was, at least, in the hands of businessmen who loved movies. As popular entertainment, movies need something of what the vulgarian moguls had - zest, a belief in their own instincts, a sentimental dedication to producing pictures that would make their country proud of their contribution, a respect for quality, and the biggest thing: a willingness to take chances. The cool managerial sharks don't have that; neither do the academics. But the vulgarians also did more than their share of damage, and they're gone forever anyway. They were part of a different America. They were, more often than not, men who paid only lip service to high ideals, while gouging everyone for profits. The big change in the country is reflected in the fact that people in the movie business no longer feel it necessary to talk about principles at all.
Pauline Kael