Masculine Quotes - page 9
Being absolute, the supreme Principle is ipso facto infinite; the masculine body accentuates the first aspect, and the feminine body the second. On the basis of these two hypostatic aspects, the divine Principle is the source of all possible perfection; in other words, being the Absolute and the Infinite, It is necessarily also Perfection or the Good. Now each of the two bodies, the masculine and the feminine, manifests modes of perfection which their respective gender evokes by definition; indeed, all cosmic qualities are divided into two complementary groups: the rigorous and the gentle, the active and the passive, the contractive and the expansive. The human body is an image of Deliverance: now the liberating way maybe either "virile" or "feminine", although it is not possible to have a strict line of demarcation between the two modes, for man (homo, anthropos) is always man; the non-material being that was the primordial androgyne survives in each of us.
Frithjof Schuon
Not only are we unable to conceive of the full and living God as masculine simply, but we are unable to conceive of Him as individual simply, as the projection of a solitary I, an unsocial I, an I that is in reality an abstract I. My living I is an I that is really a We; my living personal I lives only in other, of other, and by other I's; I am sprung from a multitude of ancestors. I carry them within me in extract, and at the same time I carry within me, potentially, a multitude of descendants, and God, the projection of my I to the infinite - or rather I, the projection of God to the finite - must also be a multitude. Hence, in order to save the personality of God - that is to say, in order to save the living God - faith's need - the need of the feeling and the imagination - of conceiving Him and feeling Him as possessed of a certain internal multiplicity.
Miguel de Unamuno
Anna Pávlovna's reception was in full swing. The spindles hummed steadily and ceaselessly on all sides. With the exception of the aunt, beside whom sat only one elderly lady, who with her thin careworn face was rather out of place in this brilliant society, the whole company had settled into three groups. One, chiefly masculine, had formed round the abbé. Another, of young people, was grouped round the beautiful Princess Hélène, Prince Vasíli's daughter, and the little Princess Bolkónskaya, very pretty and rosy, though rather too plump for her age. The third group was gathered round Mortemart and Anna Pávlovna.
Leo Tolstoy