Stamp Quotes - page 4
That's all window dressing. That's not fundamental. That's not getting at change and the transformation that must take place. Sure we have to solve problems. Certainly stamp out the fire. Stamp out the fire and get nowhere. Stamp out the fires puts us back to where we were in the first place. Taking action on the basis of results without theory of knowledge, without theory of variation, without knowledge about a system. Anything goes wrong, do something about it, overreacting; acting without knowledge, the effect is to make things worse. With the best of intentions and best efforts, managing by results is, in effect, exactly the same, as Dr. Myron Tribus put it, while driving your automobile, keeping your eye on the rear view mirror, what would happen? And that's what management by results is, keeping your eye on results.
W. Edwards Deming
He's vain. His vanity's hurt by the world's refusal to accept his remedies and become immediately Enlightened. And what does a vain man do when insulted, Sir?”..."He lashes out, Sir,” says I. "He seeks to portion blame. He fumes, Sir. He attacks. In the case before us, such is his despotic power, he kills. He kills, Sir. He wars on other nations. Mary's blood, Sir, but this poor sphere of ours suffers more from the single, frustrated egoist than from any natural-or supernatural-misery. Your own Church's history, Sir, illustrates my point well enough, eh? We are too frequently in the power of mad children, who rage and stamp and break Kingdoms as they break toys. They order thousands of deaths a day as if they were spoiled brats kicking at their dolls!
Michael Moorcock
He [Gilels] played in an easy, natural manner, with strong but unassuming musicianship. His technique was brilliant; years later Neuhaus, still astonished, was to recall Gilels's incredible octaves in Liszt's Spanish Rhapsody. Yet Gilels was never looked upon as a mere virtuoso. As a matter of fact, his programs did not often include music pour epater le bourgeois. He played a stedy diet of Beethoven (the Hammerklavier was a work that strongly engaged his last years), Schubert, Schumann, Chopin and Brahms. In many respects, the great virtuoso who put his authoritative stamp on whatever he played was, at the same time, a thinking man's pianist.
Emil Gilels