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Arrangement Quotes - page 5 - Quotesdtb.com
Arrangement Quotes - page 5
Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[, ] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[. ] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..
Henri Fantin-Latour
I stand at the window and see a house, trees, sky.
Theoretically I might say there were 327 brightnesses and nuances of colour. Do I have "327"? No. I have sky, house, and trees. It is impossible to achieve "327 " as such. And yet even though such droll calculation were possible and implied, say, for the house 120, the trees 90, the sky 117 -- I should at least have this arrangement and division of the total, and not, say, 127 and 100 and 100; or 150 and 177.
The concrete division which I see is not determined by some arbitrary mode of organization lying solely within my own pleasure; instead I see the arrangement and division which is given there before me. And what a remarkable process it is when some other mode of apprehension does succeed! I gaze for a long time from my window, adopt after some effort the most unreal attitude possible. And I discover that part of a window sash and part of a bare branch together compose an N.
Max Wertheimer
In the fifteenth century Rāmachandra, in his Prakriyā-kaumudī, or "Moonlight of Method," endeavoured to make Pāṇini's grammar easier by a more practical arrangement of its matter. Bhaṭṭoji's Siddhānta-kaumudī (seventeenth century) has a similar aim; an abridgment of this work, the Laghu-kaumudī, by Varadarāja is commonly used as an introduction to the native system of grammar. Among non-Pāṇinean grammarians may be mentioned Chandra (about 600 A. D.), the pseudo-Çākaṭāyana (later than the Kāçikā), and, the most important, Hemachandra (12th century), author of a Prākrit grammar.
Pāṇini