Mexican Quotes - page 2
When you're growing up, it's always nice to have someone you can relate and look up to. I'm proud of how I conduct my business and how I have accomplished all that I have accomplished, and hope that I can be a positive influence on not only the Mexican community but also young boxers and people all around the world.
Victor Ortiz
When I went to America, her message had so sunk into my ears that I became a radical. I went to America to study at the University of California, where a jurist of international law was teaching. I wanted to take my degree in international law. And that was the period of McCarthyism, of the communist witch hunts-my choices were laid out. To get away from Sunset Boulevard, from the girls with red nail polish, I ran off to Maxwell Street and lived among the Negroes. A week, a month. I felt good with them-they were real, they knew how to laugh. And the day in San Diego when I wasn't able to get a hotel room because I have olive skin and looked like a Mexican ... well, that helped.
Zulfikar Ali Bhutto
No doubt the Mexican Indian is well suited to his environment, and his traditional habits are well suited to him. This does not mean, however, that either has any important contribution to make to the United States which would be realized by a northward mass migration of agricultural and industrial serfs. On the contrary, the Mexican immigration to the United States, which is made up overwhelmingly of the poorer Indian element, has brought nothing but disadvantages.
Madison Grant
Mexico is moving north. Ethnically, linguistically and culturally, the verdict of 1848 is being over-turned. Will this Mexican nation within a nation advance the goals of the Constitution - to "insure domestic tranquility” and ‘make us a more perfect union'? Or have we imperiled our union?
Pat Buchanan
..these reproductions were in Zwemmer's bookshop [in the 1920's]. I can see them now. They were black. There was one on Negro sculpture, one on Mexican sculpture, one on an Egyptian sculpture, and so on. And all these I knew. And in one of them was this small reproduction of the Chac Mool [famous Toltec-Maya sculpture]. It was the pose that struck me – this idea of a figure being on its back and turned upwards to the sky instead of lying on its side, which is a different sort of idea from the Renaissance, or Greek reclining figure, which is usually on its side. And this gave me all sorts of chances of making variations on it.
Henry Moore
I prefer Mexican to Mayan sculpture. Mexican stone sculptures have largeness of scale & a grim, sublime, austerity, a real stoniness. They were the true sculptors in sympathy with their material & their sculpture has some of the character of mountains, of boulders, rocks & sea worn pebbles.
Henry Moore
One room after another in the British museum took my enthusiasm. The Royal College of Art meant nothing in comparison. Every Wednesday, Saturday, and Sunday I would go to the British Museum. But not till after three months did things begin to settle into any pattern of reality for me. Till then everything was wonderful – a new world at every turn. That is the value of the British Museum: you have everything behind you; you are free to try to find out your own way and, after a while, to find what appeals to you most. And after the first excitement it was the art of ancient Mexico that spoke to me most – except perhaps Romanesque, or early Norman. And I admit clearly and frankly that early Mexican art formed my views of carving as much as everything I could do.
Henry Moore
My work may be balanced on the second side [the Romantic tendency].. ..- but I believe it has some elements of order & unity, some design, even balance & abstract qualities, some tenseness. When its all classical, its too obvious & cold & deadly perfect - when its all romantic, its too loose uncontrolled wildly chaotic & shapeless – But in my opinion – Gothic sculpture – Mexican, all primitive sculpture, Shakespeare, Beethoven, Tintoretto, El Greco, Rubens, Michelangelo, Masaccio, are all more romantic than classic [Moore is reacting here on Stanley Casson's critic in 'The Listener' 25 Aug. 1937.
Henry Moore
