Integral Quotes - page 10
An integral approach acknowledges that all views have a degree of truth, but some views are more true than others, more evolved, more developed, more adequate. And so let's get that part out of the way right now: homophobia in any form, as far as I can tell, stems from a lower level of human development-but it is a level, it exists, and one has to make room in one's awareness for those lower levels as well, just as one has to include third grade in any school curriculum. Just don't, you know, put those people in charge of anything important.
Ken Wilber
Varma adapted Western realism to pioneer a new movement in Indian art. In 1894 he set up a lithographic press in order to mass-produce copies of his paintings as oleographs, enabling ordinary people to afford them. That innovation resulted in the tremendous popularity of his images, which became an integral part of popular Indian culture thereafter.
Raja Ravi Varma
Kim Il Sung not only presided over the birth of a new nation in an old land, he was inextricably bound to the fate of North Korea. Perhaps to a greater degree than any other modern political leader, he may be seen as the full embodiment of the state. Indeed, Kim was more integral to state and society in North Korea than Stalin in the Soviet Union, or Mao in China.
Kim Il-sung
Nonviolence is an inherently privileged position in the modern context. Besides the fact that the typical pacifist is quite clearly white and middle class, pacifism as an ideology comes from a privileged context. It ignores that violence is already here; that violence is an unavoidable, structurally integral part of the current social hierarchy; and that it is people of color who are most affected by that violence. Pacifism assumes that white people who grew up in the suburbs with all their basic needs met can counsel oppressed people, many of whom are people of color, to suffer patiently under an inconceivably greater violence, until such time as the Great White Father is swayed by the movement's demands or the pacifists achieve that legendary "critical mass.”.
Peter Gelderloos
Usually, my witticisms are composed on the spot. They're simply intrinsic; an inseparable, integral, organic part of my writing process - doubtlessly because humor is an inseparable, integral part of my philosophical worldview. The comic sensibility is vastly, almost tragically, underrated by Western intellectuals. Humor can be a doorway into the deepest reality, and wit and playfulness are a desperately serious transcendence of evil. My comic sense, although deliberately Americanized, is, in its intent, much closer related to the crazy wisdom of Zen monks and the goofy genius of Taoist masters than it is to, say, the satirical gibes on Saturday Night Live. It has both a literary and a metaphysical function.
Tom Robbins
Perhaps Algren was our Cassandra: he was right when he argued for the significance of "squalor” and for the literary significance of the vast demographic of the dispossessed. The city was integral to what Algren observed and animated in his best fiction; thanks to Algren and a few others, Chicago framed American conversations about urban reality from the Thirties all the way through the Seventies and Eighties. [... Algren was] the most perceptive and humane novelist produced by Chicago in the 20th century.
Nelson Algren
I was not influenced by composers as much as by natural objects and physical phenomena. As a child, I was tremendously impressed by the qualities and character of the granite I found in Burgundy, where I often visited my grandfather...So I was always in touch with things of stone and with this kind of pure structural architecture - without frills or unnecessary decoration. All of this became an integral part of my thinking at a very early stage.
Edgard Varèse
Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.
James Joyce
If...Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.
Alban Berg
