Nineteenth Quotes - page 7
All the pictures [in the exhibition, 1910] include a plus-factor, which robs the public [in Munich] of her pleasure but which is in every case the principal merit of the work; the completely spiritualized, de-materialized awardness of perception, which our fathers, the artists of the nineteenth century, never even tried to achieve in their 'pictures'. This bold undertaking, to take the 'matiere', which Impressionism sank its teeth into, and spiritualize it, is a necessary reaction, which began with Gauguin in Pont-Aven, and has already fostered innumerable experiments... The way the Munich public condemns the exhibition is almost amusing.
Franz Marc
In the nineteenth century there was an iU-founded hope that some species of political remedy for industrial ills might be discovered; this hope has passed. There have been very considerable political changes, both generally and also in particular national systems, since the end of the war in 1918. But the human problems of industrial organization remain identical for Moscow, London, Rome, Paris, and New York. As ever in human affairs, we are struggling against our own ignorance and not against the machinations of a political adversary.
Elton Mayo
It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..
Franz Marc
Algebraic geometry has developed in waves, each with its own language and point of view. The late nineteenth century saw the function-theoretic approach of Riemann, the more geometric approach of Brill and Noether, and the purely algebraic approach of Kronecker, Dedekind, and Weber. The Italian school followed with Castelnuovo, Enriques, and Severi, culminating in the classification of algebraic surfaces. Then came the twentieth-century "American" school of Chow, Weil, and Zariski, which gave firm algebraic foundations to the Italian intuition. Most recently, Serre and Grothendieck initiated the French school, which has rewritten the foundations of algebraic geometry in terms of schemes and cohomology, and which has an impressive record of solving old problems with new techniques. Each of these schools has introduced new concepts and methods.
Robin Hartshorne
During the nineteenth century, the rapid emergence and proliferation of new manufacturing methods and building technologies led to the establishment of polytechnic schools that concentrated on the practicalities of engineering and construction rather than the niceties of stylistic correctness or adherence to established precedent.
Martin Filler
Altruism itself was so insisted upon in the latter half of the nineteenth century that ... theory and practice, words and deeds, stood in liveliest contradiction. ... Everywhere a conflict rent the world in twain: it created abysses in every thinker's scheme of things: it made its presence so unpleasantly real that the best brains gave up research and thinking, and crept for refuge into a profession, a craft, into libraries, or hid themselves in the mine-shafts of specialism.
Oscar Levy
What the aristocratic civilization of Rome and Greece had meant, only those greater minds, Goethe and Nietzsche, grasped: but to none were those feelings of manly vigour more unintelligible than to the womanish Armageddon of serfs of the nineteenth century ; to none less clear than to those unnatural products of that unnatural time, the learned men.
The erudite was the absolute converse of the pagan positive. He studied the ancients because he could not feel them. ... But not to all did antiquity remain dry and lifeless. Nietzsche lighted upon the slumber-bound beauty, and awoke her to new life, and released her from the arm of her unloved wooer.
Oscar Levy
The song cycle is the most original musical form created in the first half of the nineteenth century. It most clearly embodies the Romantic conception of experience as a gradual unfolding and illumination of reality in place of the Classical insistence on an initial clarity. The form of Schubert's song cycle is not less precise than that of a Classical sonata, but its precision is only gradually comprehended as it unfolds.
Charles Rosen
The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.
Charles Rosen
The relation of tonic to dominant is the foundation of Western triadic tonality. The attempt of the early nineteenth century to substitute third or mediant relationships for the classical dominant amounted to a frontal attack on the principles of tonality, and it eventually contributed to the ruin of triadic tonality. This ruin was accomplished from within the system, however, as mediant relationships were essential to tonality as conceived in the eighteenth century.
Charles Rosen
Reading lots of Dickens. Barnaby Rudge: the last Catholic pogrom - No Popery, the Gordon Riots in London - 1780, twenty years before Newman was born. He must have known people who had set fire to the houses, or taken in victims and refugees. Lord George Gordon who led the mob (obviously a religious maniac) died as late as 1793. Old Curiosity Shop, Nicholas Nickleby - this too, is part of Newman's background, this gallery of living gargoyles, ghouls and monsters. Might account, perhaps, even for some of Newman's pessimism about the world and human nature, which some attribute merely to his own melancholy disposition? That nineteenth century!!
Ida Friederike Görres
I've just finished a (for me) very important book about the parents (Louis Martin and Zélie Martin) of the Little Flower..It confirms my thesis 100 per cent: that everything claimed by her super-heralds as her direct inspiration, her unique originality, in fact stemmed from inheritance, upbringing and repetition...Most interesting for me is the recognition how alien and remote this bourgeois piety of the late nineteenth century has become, even for cultivated contemporary Catholic writers - a veritable terra incognita; otherwise this so wide-spread legend of Thérèse's uniqueness could never have grown up.
Ida Friederike Görres
Up to 1931 there was no reason to suppose that social changes would not, or could not, follow the same evolutionary pattern which had resulted from the increased creation and distribution of wealth during the nineteenth century. Now, after 1931, many of us felt that the disease was more deep-rooted. It had become evident that the structure of capitalist society in its old form had broken down, not only in Britain but all over Europe and even in the United States. The whole system had to be reassessed. Perhaps it could not survive at all; it certainly could not survive without radical change. Something like a revolutionary situation had developed, not only at home but overseas.
Harold Macmillan
People did not always love the mountains. Just a few hundred years ago the high mountains were regarded as horrible, monstrous places filling people with terror and fear. The inhabitants near them were seen as awful demons, subhumans. But this attitude got transformed into just the opposite, especially by Romantic writers and painters in the nineteenth century. Seen by the Romantics, high mountains became places of impossible beauty, where the quality of light and the expansive solitary grandeur of the high peaks opened the heart of the individual. A man climbing a mountain became the image of self-conscious intelligence pitted against the eternal indifference of the forces of nature. Compared to these forces of nature, we are nothing save for the will that moves our limbs. Only that will is truly our own.
Heinz Pagels
One thing one can't help noticing is the efficacy of religion before the nineteenth century at dealing with these problems and answering some of these unanswerable questions. By the time of the Great War, religion is practically dead. By the time of the Second World War, it's no help at all.
The chaplains that were attached to the infantry that I was in practically never did spiritual work because they knew they'd be ridiculed. What they did was to apply bandages and surgical scissors, assisting the medics and calming people down psychologically. But everybody recognized that religion was no help whatever.
Paul Fussell
