Gesture Quotes - page 4
The better artists are original and obdurate; they're the gravel in the pea soup. ln Jackson Pollock's painting the particularity, the immediacy, is the dripped paint, which remains dripped paint as a phenomenon, for all the beauty of the small shapes it makes it makes. The generality is in the scale or proportion and in the large shapes. It's in the appearance of chaos. The gesture or the motion shown in the application of the paint varies from painting to painting from the particular to a middling generality. The size and the color generally occur in the middle between particularity and generality. At the same time as Pollock and since, almost all first-rate art has been based on an immediate phenomenon, for example the work of Dan Flavin and Larry Bell.
Donald Judd
I can prove now, for instance, that two human hands exist. How? By holding up my two hands, and saying, as I make a certain gesture with the right hand, "Here is one hand," and adding, as I make a certain gesture with the left, "and here is another." And if, by doing this, I have proved ipso facto the existence of external things, you will all see that I can also do it now in numbers of other ways: there is no need to multiply examples.
G. E. Moore
somewhere i have never travelled,gladly beyond
any experience, your eyes have their silence.
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near your slightest look easily will unclose me
though i have closed myself as fingers,
you always open petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose or if it be your wish to close me, i and
my life will shut very beautifully, suddenly
as the heart of this flower imagines
the snow carefully everywhere descending; nothing we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries
rendering death and forever with each breathing.
E. E. Cummings
David Frost: If you haven't got nuclear weapons, the choice in that situation would be to subject your forces to an unfair battle.
Neil Kinnock: Yes, what you're suggesting is that the alternatives are between the gesture, the threat, or the use of nuclear weapons, and surrender. In these circumstances the choice is posed, and this is a classical choice, between exterminating everything you stand for and the flower of your youth, or using all the resources you have to make any occupation totally untenable.
Neil Kinnock
Opinion has been right to fasten upon sovereignty as the central issue. Either British entry is a declaration of intent to surrender this country's sovereignty, stage by stage, in all that matters as a nation, and makes a nation, or else it is an empty gesture, disgraceful in its hollowness alike to those who proffer and to whose who accept it. The superior people laugh at those who talk about losing our Queen and our Monarchy. ... The Queen is the Queen in Parliament, as truly today as when her predecessor, Tudor Henry, observed that ‘we are nowhere so high in our estate royal as in this Our High Court of Parliament'. The question which the people of this country will have proposed to them is: will you, or will you not, continue to be governed by the Queen in Parliament? It is no less than that, and they have understood it.
Enoch Powell
I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation.
"Welcome to my house! Enter freely and of your own free will!"
Bram Stoker
Some anti-Americanism derives simply from our being a colossus that bestrides the earth. This resentment may be incurable. But much anti-Americanism derives from the role U. S. political, economic, and military power has played in denying such freedoms to others. U. S. foreign policy has to be rethought. It needs not tweaking but overhauling. We need: a historical reckoning with crimes committed, sponsored, or permitted by the United States. [.. ] A country has to look back before it can move forward. Instituting a doctrine of the mea culpa would enhance our credibility by showing that American decision-makers do not endorse the sins of their predecessors. When Brandt went down on one knee in the Warsaw ghetto [in 1970], his gesture was gratifying to World War II survivors, but it was also ennobling and cathartic for Germany. Would such an approach be futile for the United States?
Samantha Power
What the structure of Rawls's argument indicates is a more fundamental feature of his thought. This is an amphibious world, which contains just enough land of real social reference to avoid the tricky deeps of first philosophy (the gesture is roughly: let's start out from where we're at – in other words, Bush–Clinton country), while floating carefully enough on the waters of abstraction to avoid contact with the ground of actual political change (for example: what has happened in the US since the 1970s). The result is a kind of political cabotage, a critique of existing society that clings nervously to its shores. Readers of Rawls might well ask: where is the actual justice in the United States that corresponds to the ideal construct he offers us, if it is based on ‘plain truths widely accepted by citizens'?
Perry Anderson
The modern world has largely forgotten, and our educational systems ignore, the primary importance, in the evolution of man, of various types of symbolic communication-the communication embodied in gesture, ritual, dance, music myth, and poetic metaphor. All these modes of expression constitute a language of feeling, a non-discursive form of thought, absolutely essential to our individual development and to the unity of social life.
Herbert Read
