Organ Quotes - page 3
It is still necessary to suppress the bourgeoisie and crush its resistance. This was particularly necessary for the Commune; and one of the reasons for its defeat was that it did not do this with sufficient determination. But the organ of suppression is now the majority of the population, and not the minority, as was always the case under slavery, serfdom and wage-slavery. And since the majority of the of the people itself suppresses its oppressors, a "special force" for suppression is no longer necessary. in this sense the state begins to wither away. Instead of the special institutions of a privileged minority.. the majority can directly fulfill all these functions, and the more the functions of state power devolve upon the people generally, the less need is there for the existence of this power.
Vladimir Lenin
I knew that I must paint not what I saw, but only what was in me, in my soul. Figuratively speaking, it was like this: In my heart I felt as if there were an organ, which I had to sound. And nature, which I saw before me, only prompted me. And that was a key that unlocked this organ and made it sound... They are songs without words.
Alexej von Jawlensky
I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I understood that I did not have to paint what I saw, not even what I felt, but only that which lived within me, in my soul. To put it in symbolic terms, it is like this: I felt within myself, within my breast, the keyboard of an organ and I had to make it resonate. And the nature that was in front of me served me only as a prompter. And that was a key that unlocked this organ and made it resonate. In the beginning it was very difficult. But little by little, it became easy for me to use colours and forms to find what was within my soul.
Alexej von Jawlensky
That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids. Sir Joshua Reynolds speaking of the "Landscape" of Titian & Salvator & Claude says 'Even their skies seem to sympathise with the Subject.' I have often been advised to consider my sky as a 'hite Sheet thrown behind the Objects'. Certainly, if the sky is 'obtrusive,' (as mine are) it is bad, but if they are 'evaded' (as mine are not) it is worse, they must and always shall with me make an effectual part of the composition. It will be difficult to name a class of landscape in which the sky is not the 'key note,' the 'standard of Scale' and the chief 'Organ of sentiment.'
John Constable
Although every part of the human frame has been fashioned by the same Divine hand and exhibits the most marvellous and beneficent adaptions for the use of men, the human eye stands pre-eminent above them all as the light of the body and the organ by which we become acquainted with the minutest and the nearest, the largest and most remote of the Creator's work.
David Brewster
In France, Étienne Geoffroy Saint-Hilaire attempted to portray the skeleton of vertebrates as a set of modifications upon an archetypal vertebra. In the 1820's, Geoffroy extended his ambitious plan to include annelids and arthropods under that same rubric. ...Vertebrates support their soft parts with an internal skeleton, but insects must live within their vertebrae (a reality, not a metaphor, for Geoffroy). This comparison led to... the claim that a vertebrate rib must represent the same organ as an arthropod leg - and that insects must therefore walk on their own ribs!
Stephen Jay Gould
I am not insensible to natural beauty, but my emotional joys center on the improbable yet sometimes wondrous works of that tiny and accidental evolutionary twig called Homo sapiens. And I find, among these works, nothing more noble than the history of our struggle to understand nature-a majestic entity of such vast spatial and temporal scope that she cannot care much for a little mammalian afterthought with a curious evolutionary invention, even if that invention has, for the first time in some four billion years of life on earth, produced recursion as a creature reflects back upon its own production and evolution. Thus, I love nature primarily for the puzzles and intellectual delights that she offers to the first organ capable of such curious contemplation.
Stephen Jay Gould
