Brush Quotes - page 4
I would have failed, of course, but failure is the condition of the artist's life. What kind of failure would I have enjoyed, suffered? I know it was not all waste. My hopeless daubings taught me to look at the world with a painter's eye, despite the poor connection between eye and hand. And the smells of turpentine and linseed oil and paint-soaked rags still make my blood tingle. But words were my calling, and called to me, and I let fall the brush.
John Banville
The two cops dragging the little guy out stopped dead still. The other one washing the bloodstains from the seat quit swishing the brush over the wicker and held his breath. Nobody ever spoke that way to Dilwick. Nobody from the biggest politician in the state to the hardest apple that ever stepped out of a pen. Nobody ever did because Dilwick would cut them up into fine pieces with his bare hands and enjoy it. That was Dilwick, the dirtiest, roughest cop who ever walked a beat or swung a nightstick over a skull. Crude, he was. Crude, hard and dirty and afraid of nothing. He'd sooner draw blood from a face than eat and everybody knew it. That's why nobody ever spoke to him that way. That is, nobody except me.
Because I'm the same way myself.
Mickey Spillane
The purity of the spectral element being the keystone of my.. ..searching for an optical formula on this basis ever, since I held a brush 1876 - 1884.. ..having read Charles Blanc in school and therefore knowing Chevreul's laws and Eugene Delacroix's precepts, having read the studies by the same Charles Blanc on the same painter [= Delacroix].
Georges Seurat
You know who doesn't like that bit? Cops. They don't like it. They don't like it. And I think its important -- I'm being sincere. I think its important that we acknowledge, all of us, that there are plenty of good, decent, ethical, very brave cops, who put their lives on the line every day, and they don't appreciate being painted with this broad brush as being violent predators just because of the actions of a minority of their brothers. They don't like being stereotyped so that when you see blue, you just think "Oh, violent thug."
David Cross
To Leonardo a landscape, like a human being, was part of a vast machine, to be understood part by part and, if possible, in the whole. Rocks were not simply decorative silhouettes. They were part of the earth's bones, with an anatomy of their own, caused by some remote seismic upheaval. Clouds were not random curls of the brush, drawn by some celestial artist, but were the congregation of tiny drops formed from the evaporation of the sea, and soon would pour back their rain into the rivers.
Kenneth Clark
Yes, the aluminum paint... What happened, at least for me, is that when I first started painting I would see Pollock, de Kooning, and the one thing they all had that I didn't have was an art school background. They were brought up on drawing and they all ended up painting or drawing with the brush. They got away from the smaller brushes and, in an attempt to free themselves, they got involved in commercial paint and house-painting brushes, Still it was basically drawing with paint, which has the characterized almost all twentieth century painting. The way my own painting was going, drawing was less and less necessary. It was the one thing I wasn't going to do. I wasn't going to draw with the brush.
Frank Stella
The artist's tool or the traditional artist's brush and maybe even oil paint are all disappearing very quickly. We use mostly commercial paint, and we generally tend toward lager brushes. In a way, Abstract Expressionism started this all. De Kooning used house painter's brushes and house painters' techniques.
Frank Stella
So we had about 80 or 90 Germans there disarmed, and had another line of Germans to go through to get out. So I called for my men, and one of them answered from behind a big oak tree, and the others were on my right in the brush.
So I said, "Let's get these Germans out of here."
One of my men said, "it is impossible."
So I said, "No; let's get them out."
Alvin York
There were considerably over 100 prisoners now. It was a problem to get them back safely to our own lines. There were so many of them, there was danger of our own artillery mistaking us for a German counterattack and opening upon us. I sure was relieved when we ran into the relief squads that had been sent forward through the brush to help us.
Alvin York
