Vehicle Quotes - page 3
Abductees," Eva said, "are souls that have, for their individual purposes and reasons, chosen the probability of physical form." But through their experiences they are "regaining their memory of source... The process of abduction is one form of such, of regaining memory." The abduction "experience itself," Eva said, "is a mechanism to remove" the "structures that impede the reconnection with source," and to purify the physical vehicle in such a way to serve to regain better memory and to bring knowledge to others.
John E. Mack
[...] Anyone who might think of attacking them would also probably recognize that they were armed. She smiled slightly; all three of them actually had valid concealed-carry permits for the Belgian FiveseveN specials under their jackets.
Although not for the P90 machine pistols in the attaché cases, and some of the stuff in the vehicle would be right out of it. Semtex, timers, detonators, cans of gasoline and thermite bombs, for example. Even if the invoice reads "Cleaning supplies" back at HQ.
S. M. Stirling
It is a kind of vehicle, you know. It's a kind of making, spreading out ideas, that is what I think. It spreads out the idea. You must care for information and I personally try to make information available not only in a written way... I try also to work with images, with fantasy, with jokes, with humor. It accelerates the discussion of the problem of a new society.... so I work coming from the idea of art as the most important means to transform the society.
Joseph Beuys
My friend Bonner has just set off to Charlotte Street to pack your picture (an old painting) and forward it; it is a beautiful representation of a summer's evening; calm, warm and delicious; the colour on the man's face is perfect sunshine. The liquid pencil of this school is replete with a beauty peculiar to itself. Nevertheless, I don't believe they had any 'nostrums,' but plain linseed oil; 'honest linseed' as old Wilson called it. But it is always right to remember that the ordinary painters of that day used, as now, the same vehicle as their betters, and also that their works have all received the hardening and enamelling effects of time, so that we must not judge of originality by these signs always.
John Constable
Is the Airship Possible? That depends, first of all, on whether we are to make the requisite scientific discoveries... the construction of an aerial vehicle ... which could carry even a single man from place-to-place at pleasure requires the discovery of some new metal or some new force.
Simon Newcomb
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings. As soon as one does work on walls, the idea of using the whole wall follows. It means that the art is intimately involved with the architecture. It is available to be seen by everyone. It avoids the preciousness of gallery or museum installations. Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
Sol LeWitt
We've deployed thousands of National Guard members to assist the Border Patrol. We've upgraded technology at our borders. We've added infrastructure, including new fencing and vehicle barriers. We're adding thousands of new beds in our detention facilities so we can continue working to end catch and release] at our southern border. During the course of my administration we have apprehended and sent home more 6 million people entering our country illegally. And I thank the Border Patrol for their hard work. The Secure Fence Act builds on this progress. The bill authorizes the construction of hundreds of miles of additional fencing along our southern border.
George W. Bush
I think the circle is very abstract. I could make up stories of what the circle means to men, but I don't know if it is that conscious. I think it was a form, a vehicle. I don't think I had a sexual anthropomorphic, or geometric meaning. It wasn't a breast and it wasn't a circle representing life and eternity.... I remember always working with contradiction and contradictory forms which is my idea also in life. The whole absurdity of life, everything for me has always been opposite. Nothing has ever been in the middle. When I gave you my autobiography, my life never had anything normal or in the center. It was always extremes.
Eva Hesse
