Balls Quotes - page 11
"Yes-yes!” Jon bounces up and down on the balls of her feet.
"How much coffee did we have this morning?” Pete asks, suspicion dawning.
"All of it!”
Brains absorbs this fact slowly. The room he and Pete shared didn't come with a filter machine, but there was an industrial-sized one in the motel lobby. If Jon drank the entire jug-
"How many times did you refill it?” asks Pete.
"Only three times! It kept running out!”
Brains glances at the vicar. "Are we going to need a tranquilizer dart?” he murmurs.
Charles Stross
"I no play so gut yet," the Puerto Rican star tried to explain yesterday. "Me like hot weather, veree hot. I no run fast cold weather. No get warm in cold. No get warm, no play gut. You see." Clemente likes Forbes Field and Connie Mack Stadium the best of all the parks he's played in but has a strong dislike for Ebbets Field and the Polo Grounds because of the crazy bounces the balls take as they ricochet off the walls.
Roberto Clemente
He worked at it. One of the things that he taught me was every time we'd go into a stadium – or even at home – to spend a little extra time working on things: have balls hit to you, not just fly balls or ground balls, but hit ‘em off the wall at different angles. Find the sun, hit the ball into the sun and be able to shield the sun in such a way that you don't lose the ball in the sun. His ability was no accident. He put a lot of time and effort and intelligence into his game. And what people saw was the finished product.
Roberto Clemente
In addition to his great arm, Roberto Clemente could possibly be a great billiard master if he put his mind to it. I've never seen him play a wall off the wall and be in bad position. Now, he catches balls off irregular walls, he's always in the right place, and he has made some of the longest singles look pretty futile when base-runners try to go for two.
Roberto Clemente
I don't know if you ever saw Roberto play, but he was the most unorthodox good ball-player I ever saw. Most good ballplayers are smooth – they do things with rhythm. Well, Roberto had his own rhythm. He looked like he was falling apart when he ran – looked like he was coming apart when he threw. His stance at the plate was ridiculous. When he swung he'd lunge and hit bad balls. There was no way he could hit the ball like that. But no one told Roberto that.
Roberto Clemente
Ted Abernathy was just one strike away from pocketing a 5-4 Cub decision over the Pirates when he found himself in a head-to-head battle with Roberto Clemente. This was the ninth inning in Chicago and there were two outs, none on. Abernathy had Clemente no balls and two strikes, but apparently the Pirate slugger worried the Cub reliever and he grew too careful. He threw three balls and then Clemente put on a dazzling display of bat control. Abernathy threw eight straight strikes and Clemente fouled off every pitch, seven to right field. Then he drew a walk and Willie Stargell, who always hits Abernathy, hit him again. Abernathy worked the count to 3-and-1 and Stargell fouled two pitches, then rammed a long, line-drive double high off the center field wall to score Clemente from first with the tying run. The Bucs won it with four runs in the eleventh, but it was Clemente who saved it with his remarkable performance.
Roberto Clemente
He was the first right fielder that I remember that would literally take balls off the right field wall in Forbes Field – it was only three hundred feet down the line – and he'd take the ball off the wall and without even looking, just spin around and throw the ball in behind the runner coming around first base. He'd get the guy going back to first before he could even stop and turn around. Maybe only one time did a runner keep going to second off him, anticipating that he was going to throw behind him. He was just uncanny; those guys wouldn't even make a turn at first base when they'd hit a ball off the screen in right or off the wall.
Roberto Clemente
The real damage is done by those millions who want to "survive." The honest men who just want to be left in peace. Those who don't want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won't take measure of their own strength, for fear of antagonizing their own weakness. Those who don't like to make waves - or enemies. Those for whom freedom, honor, truth, and principles are only literature. Those who live small, mate small, die small. It's the reductionist approach to life: if you keep it small, you'll keep it under control. If you don't make any noise, the bogeyman won't find you. But it's all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.
Sophie Scholl
A law explains a set of observations; a theory explains a set of laws. The quintessential illustration of this jump in level is the way in which Newton's theory of mechanics explained Kepler's law of planetary motion. Basically, a law applies to observed phenomena in one domain (e.g., planetary bodies and their movements), while a theory is intended to unify phenomena in many domains. Thus, Newton's theory of mechanics explained not only Kepler's laws, but also Galileo's findings about the motion of balls rolling down an inclined plane, as well as the pattern of oceanic tides. Unlike laws, theories often postulate unobservable objects as part of their explanatory mechanism. So, for instance, Freud's theory of mind relies upon the unobservable ego, superego, and id, and in modern physics we have theories of elementary particles that postulate various types of quarks, all of which have yet to be observed.
Johannes Kepler
