Composer Quotes - page 4
Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage, [the composer]. He said: "Don't let it worry you. Just consider it as a pun on your work."
Jasper Johns
We went to the Opera to hear music of the vanguard, Maximilian by Darius Milhaud. We clutched our chair. But we were hurled out of it by such a hurricane of wrong notes that we found ourselves, half dead, on the stairway, without knowing how we could fall down quite so far. The composer knows the grammar, the spelling and the language; but he can speak only Esperanto and Volapuk. It is a work of a Communist traveling salesman.
Darius Milhaud
The most sensitive musical instrument is the human soul. The next is the human voice. One must purify the soul until it begins to sound. A composer is a musical instrument and at the same time, a performer on that instrument. The instrument has to be in order to produce sound. One must start with that, not with the music. Through the music the composer can check whether his instrument is tuned and to what key it is tuned.
Arvo Pärt
I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist].
Thomas Gainsborough
Nadia Boulanger was quite aware that as a composition teacher she labored under two further disadvantages: she was not herself a regularly practicing composer and in so far as she composed at all she must of necessity be listed in that unenviable category of the woman composer. Everyone knows that the high achievement of women musicians as vocalists and instrumentalists has no counterpart in the field of musical composition. This historically poor showing has puzzled more than one observer. ... Is it possible that there is a mysterious element in the nature of musical creativity that runs counter to the nature of the feminine mind? ... The future may very well have a different tale to tell; for the present, however, no woman's name will be found on the list of world-famous composers.
Aaron Copland
Art for art's sake has never flourished in England. We are often called inartistic because our art is unconscious. Our drama and poetry, like our laws and our constitution, have evolved by accident while we thought we were doing something else, and so it will be with music. The composer must not shut himself up and think about art, he must live with his fellows and make his art an expression of the whole life of the community – if we seek for art we shall not find it.
Ralph Vaughan Williams
As we saw, there is a large class of personal names and name-elements common to the Late Books and hymns of the Rigveda (386 hymns in the Late Books of the Rigveda and 8 Late hymns in the earlier Books), and to the Avesta (the bulk of the names, right from the name of the first composer of the Avesta, and the names of his closest associates), the Mitanni (including every common name element known), and the Kassites (the only known name). These names and name-elements are fundamental to all four groups, but completely absent in the Early and Middle Books of the Rigveda (apart from the 8 Late hymns mentioned earlier). And all these names and name-elements are very common in post-Rigvedic texts.
Shrikant Talageri
Within the vast, virtually limitless piano repertoire, the piano sonatas of Sergei Prokofiev occupy a special place. Apart from Alexander Scriabin early in the century, Prokofiev was the only major twentieth-century composer to pay such consistent attention to the form, ... They are a constant presence in concert programs and are considered an indispensable part of the repertoire by almost every serious concert pianist.
Boris Berman
The general opinion appears to be that it is very funny to make yourself out as fast or as foolish as possible; though even worse than this is the painful orthodoxy of those individuals who claim Shakespeare for their favourite poet, Beethoven for their favourite composer, and Raphael for their favourite painter.
Aubrey Beardsley
