Performer Quotes - page 4
I'd never malign another performer, but the style is not good enough. They've done away with laugh pay-offs. We were given nine minutes or eight minutes. Now they wander wherever they like, they don't get to any jokes before they've been on for two minutes. We had to make an impact in ten seconds.
Max Bygraves
There is a relation between persons and role. But the relationship answers to the interactive system-to the frame-in which the role is performed and the self of the performer is glimpsed. Self, then, is not an entity half-concealed behind events, but a changeable formula for managing oneself during them. Just as the current situation prescribes the official guise behind which we will conceal ourselves, so it provides where and how we will show through, the culture itself prescribing what sort of entity we must believe ourselves to be in order to have something to show through in this manner.
Erving Goffman
I'm very concerned with the performer, but I'm not too concerned with the listener. It seems to me that if you can interest the performer and make him feel that he's done something really valuable, his playing will convince the audience just that. To write for the audience is just too uncertain. You never know what your audience may be like, but you can usually know what your performers will be like. A good musician has the training to appreciate all sorts of things you might try to do in a piece. A performer will also recognize whether a piece is skillfully written or original -- an audience might not always be so sure.
Elliott Carter
Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire-the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening."
"I wonder," said our young composer dreamily, "if my music will be played a hundred years from now."
"It certainly will be," said the bitter Levant,"if you are still around."
Alexander Woollcott
As a performer I've played for 50,000 people and I've played for 50 people and I can tell you that it is harder to play for 50 people. 50,000 people have a singular persona, not so with 50. Each person has an individual, separate identity, a world unto themselves. They can perceive things more clearly. Your honesty and how it relates to the depth of your talent is tried.
Bob Dylan
I had no answers to any of those questions any more than any other performer did, really. But, you know, that didn't stop the press or people or whoever they were from asking these questions. They, for some reason the press thought that performers had the answers to all these problems in the society and you know, like what can... What can you say to something like that? I mean, it's just kind of absurd.
Bob Dylan
The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.
Johnny Cash
It is improper, to expressly pursue the Urlinie in performance and to single out its tones... for the purpose of communicating the Urlinie to the listener." Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.
Heinrich Schenker
I think the most important thing is to instantly give them a sense of who you are and how you feel in that moment. If a speaker is nervous and tells the audience that, people immediately contextualize it and respond accordingly. If a performer is in a good mood or feeling wild and crazy and says so, I've found, the crowd will be good at matching that energy. So for me, the rapport is built by a genuineness conveyed as quickly as possible.
Trevor Noah
