Entity Quotes - page 9
The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.
Fred Astaire
"Tell me who it is who brings about the re-birth (the revolutio)?" is asked of the wise Hermes. "God's Son, the only man, through the will of God," is the answer of the "heathen." "God's son" is the immortal spirit assigned to every human being. It is this divine entity which is the "only man," for the casket which contains our soul, and the soul itself, are but half-entities, and without its overshadowing both body and astral soul, the two are but an animal duad. It requires a trinity to form the complete "man," and allow him to remain immortal at every "re-birth," or revolutio, throughout the subsequent and ascending spheres, every one of which brings him nearer to the refulgent realm of eternal and absolute light.
Helena Petrovna Blavatsky