Tape Quotes - page 4
Well I didn't tape him - you never know what's happening, when you see that the Obama administration, and perhaps longer than that, was doing all of this unmasking and, er, surveillance, and you read all about it, and I've been reading about for the last couple of months about the seriousness of the, and horrible situation, with surveillance all over the place, and you've been hearing the word 'unmasking', a word you probably never heard before, so you never know what's out there - but I didn't tape, and I don't have any tape, and I didn't tape.
Donald Trump
Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs.
Chris Cornell
What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.
Michael Jackson
Most of what we get up to in the Laundry is symbolic computation intended to evoke decidedly nonsymbolic consequences. But that's not all there is to...well, any sufficiently alien technology is indistinguishable from magic, so let's call it that, all right? You can do magic by computation, but you can also do computation by magic. The law of similarity attracts unwelcome attention from other proximate universes, other domains where the laws of nature worked out differently. Meanwhile, the law of contagion spreads stuff around. Just as it's possible to write a TCP/IP protocol stack in some utterly inappropriate programming language like ML or Visual Basic, so, too, it's possible to implement TCP/IP over carrier pigeons, or paper tape, or daemons summoned from the vasty deep.
Charles Stross