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Colours Quotes - page 12 - Quotesdtb.com
Colours Quotes - page 12
Of all the joys of life which may fairly come under the head of recreation there is nothing more great, more refreshing, more beneficial in the widest sense of the word, than a real love of the beauty of the world... to those who have some feeling that the natural world has beauty in it I would say, Cultivate this feeling and encourage it in every way you can. Consider the seasons, the joy of the spring, the splendour of the summer, the sunset colours of the autumn, the delicate and graceful bareness of winter trees, the beauty of snow, the beauty of light upon water, what the old Greek called the unnumbered smiling of the sea.
Edward Grey, 1st Viscount Grey of Fallodon
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust." In many works by the greatest colourists - Rembrandt and Watteau are examples - there are very few identifiable colours.
Kenneth Clark
The cookery programmes that everybody watches are ridiculous, and so are the house programmes. You know you do not need a fish tank in the atrium you haven't got. And people now, feel under pressure to perform in their lives. Who has the time though? Who really has the time to skin the baby rabbit and dip it in the duck's tears and nail it to the garden roof and get to work with the blow torch so it has just the right texture to match the squash you made that morning using just your elbows. Who has the time? Nobody lives like this! We go around thinking that everybody else does, you know? Because what happens is you come in from work, and you think... maybe at most, if you're getting very adventurous, you will think "TONIGHT, we will eat something that has two colours in it!" BUT YOU DON'T! You end up sitting in front of the television, watching these programmes, eating bread from the bag, dipping it in anything runnier than bread, because there's isn't time for this horse shit!
Dylan Moran
You, who are blessed with shade as well as light, you, who are gifted with two eyes, endowed with a knowledge of perspective, and charmed with the enjoyment of various colours, you, who can actually SEE an angle, and contemplate the complete circumference of a circle in the happy region of the Three Dimensions - how shall I make clear to you the extreme difficulty which we in Flatland experience in recognizing one another's configuration?Recall what I told you above. All beings in Flatland, animate or inanimate, no matter what their form, present TO OUR VIEW the same, or nearly the same, appearance, viz. that of a straight Line. How then can one be distinguished from another, where all appear the same?
Edwin Abbott Abbott
Since every root sound has a distinct meaning, its signature is found in all the words derived from it. It is theoretically possible to explain the meaning of the words according to the algebraic combination of letters, syllables and roots. This transparency of rootsounds and semantics follows a natural process and gives Sanskrit the ability to discover its own history. Consequently, Sanskrit is an ever-creative language in which each word is the parent and creator of ideas. A letter is called 'akshara', which literally means imperishable or eternal. Akshara is the eternal sound, and it does not perish but reveals the whole secret of speech. Another term for letter is 'varna', which means hue or colour. Thus, every letter is heard as a sound and has a visual hue as it manifests. The rishis are said to have seen, and not just heard, the Vedas. The term for alphabet, 'varnamala', literally means 'garland of colours' or qualities or hues which the artist uses to paint reality.
Rajiv Malhotra
... as last night I lay in bed,
There came before my eyes that wonted thread
Of shapes, and shadows, and remembrances,
That every other minute vex and please:
Things all disjointed come from north and south, -
Two witch's eyes above a cherub's mouth,
Voltaire with casque and shield and habergeon,
And Alexander with his nightcap on;
Old Socrates a-tying his cravat,
And Hazlitt playing with Miss Edgeworth's cat;
And Junius Brutus, pretty well so-so,
Making the best of's way towards Soho.
Few are there who escape these visitings-
Perhaps one or two whose lives have patent wings,
And through whose curtains peeps no hellish nose,
No wild-boar tushes, and no mermaid's toes;
But flowers bursting out with lusty pride,
And young Æolian harps personified;
Some Titian colours touch'd into real life, -
The sacrifice goes on;..
John Keats
He will better comprehend the foundations and measures of decency and justice, and have livelier, and more lasting impressions of what he ought to do, by giving his opinion on cases propos'd, and reasoning with his tutor on fit instances, than by giving a silent, negligent, sleepy audience to his tutor's lectures; and much more than by captious logical disputes, or set declamations of his own, upon any question. The one sets the thoughts upon wit and false colours, and not upon truth; the other teaches fallacy, wrangling, and opiniatry; and they are both of them things that spoil the judgment, and put a man out of the way of right and fair reasoning; and therefore carefully to be avoided by one who would improve himself, and be acceptable to others.
John Locke