Museum Quotes - page 5
There were three known existing sapphires. One was in the Conquest of Space Museum on Terra, one was in the hands of United System President Polonius Delph-he was the richest man in seven worlds, or had been until he'd paid cash for his jewel. The other had been stolen soon after its discovery. Maybe Delph had it...
"From what I understand of your world, Delph isn't the only one who wants the sapphires. He has rivals in the Plutocracy. Another mysterious collector? Or those rivals are competing for the presidency or they think they can ruin him. As you know, it's a vicious circle in politics. You can't get to be president unless you have the wealth and you can't really make massive sums until you're president.”.
Michael Moorcock
I think more audiences would like contemporary music if they were presented with it, told about it. It's just a matter of familiarity, I think. Then one begins to look back at old music as stuffy, or even tiresome. It's funny -- I'm beginning to like older music more than I used to, but it's like I'm going into a museum and contemplating a Rembrandt. It just feels like its part of the aristocratic class system of kings and queens and dukes which just doesn't exist anymore.
Elliott Carter
When he was not busy doing math, he reads fat books covered with rough leather, on the pages of which can be seen very old, perfectly round holes dug out by medieval worms. Or else he passes through a museum while devoting himself to unbelievably profound notions about Van Gogh's paintings or Greek amphorae.
André Weil
He came up with this very simple idea which was recognising that the location which we identified, which is an axial view straight up the main promenade of the museum at its highest point, would be the place where a simple hour glass form would offer the opportunity to invert the Jerusalem sky and built landscape. And that's what he created – and it's a superb thing.
Anish Kapoor
Visiting a museum is a matter of going from void to void. Hallways lead the viewer to things once called 'pictures' and 'statues." Anachronisms hang and protrude from every angle. Themes without meaning press on the eye. Multifarious nothings permute into false windows (frames) that open up into a variety of blanks. Stale images cancel one's perception and deviate one's motivation. Blind and senseless, one continues wandering around the remains of Europe, only to end in that massive deception 'the art history of the recent past'
Robert Smithson
The Natural History Museum is open to the public on Tuesdays and Fridays. Elephant, rhinoceros, hippopotamus; extraordinary animals! Rubens rendered them marvellously. I had a feeling of happiness as soon as I entered the place and the further I went the stronger it grew. I felt my whole being rise above commonplaces and trivialities and the petty worries of my daily life.
Eugène Delacroix
One has to see a painter in his own place to get an idea of his worth. I went back there [to Corot's studio, after the official exhibition] and I appreciate in a new light the paintings that I had seen in the Museum and that had struck me as middling... He told me to go a bit ahead of myself, abandoning myself to whatever might come; this is how he works most of the time... Corot delves deeply into a subject; ideas come to him and he adds while working; it's the right approach.
Eugène Delacroix
The one place for art-as-art is the museum of fine art. The reason of the museum or fine art is the preservation of ancient and modern art that cannot be made again and that does not have to be done again. A museum of fine art should exclude everything but fine art, and be separate of museums of ethnology, geology, archaeology, history.. .Any disturbance of a true museum's soundlessness, timelessness, airlessness, and lifelessness is a disrespect.
Ad Reinhardt
[something like] a badly constructed or repaired motor, or like that wonderful event of Tinguely's, where he made a huge contraption in the backyard of the Museum of Modern Art called 'Homage to New York', which was a machine that destroyed itself in various humorous ways. It's that breakdown system along with slippages that you can't predict I find most interesting, not because I want to make a point about society as being a broken down system or that all life is entropic - I don't, but rather that its process is unforeseeable.
Allan Kaprow
It was not the inexperienced art public that became American Scenists. It was the artists themselves, a highly sophisticated group, thoroughly familiar with the art work and the art traditions of the world, who had flocked to Paris to participate in the great cultural center, who were very conscious of the Impressionists and Post-Impressionists revolutions, who fell for this propaganda [to strive for a pure national American art]. It is upon them that responsibility falls. Their support of this reactionary philistinism is an inexcusable betrayal.. .It is time for the artists to wake up and re-examine their aesthetic foundations; to rid themselves of the millstone that has made art in America an expensive picture postcard-factory.. .It is time that artists refused isolationist money, repudiated the art dealers, the favor of the museum directors. It is time artists forgot about success..
Barnett Newman
I want to give something [a painting to museum The Luxembourg in Paris, c. 1910] I can't be sure of doing again. I could do ten more nudes like that one [a large nude painting, suggested by Georges Riviere], whenever I liked... This one turned out well. I don't think I'd be able to do that again.
Pierre-Auguste Renoir
Nothing endures, nothing is precise and certain (except the mind of a pedant), perfection is the mere repudiation of that ineluctable marginal inexactitude which is the mysterious inmost quality of Being. Being, indeed! – there is no being, but a universal becoming of individualities, and Plato turned his back os truth when he turned towards his museum of specific ideals.
H. G. Wells
Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.
Joanna MacGregor
