Museum Quotes - page 12
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.
Jerry Saltz
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
Jerry Saltz
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Jerry Saltz
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
Jerry Saltz
Baryonyx is on display at the Natural History Museum in London. If you ever get the chance to view this wonderful specimen, remember that you just might be looking at the skeleton of one of the dragons from English history and legend (e.g., Sir George the Dragon Slayer) or one of the dragons spoken of in the Bible.
Ken Ham
You see, when we're talking about origins, we're talking about the past, we're talking about our origins. We weren't there, you can't observe that, whether it's molecules-to-man evolution or the creation account. When you're talking about the past, we like to call that origins or historical science: knowledge concerning the past. Here at the Creation Museum, we make no apology about the fact that our origins or historical science is actually based upon the biblical account of origins. When you research science text books being used in public schools, what we found is this: by and large the origins or historical science is based on man's ideas about the past, for instance the ideas of Darwin.
Ken Ham
I was glad to get away from those students when I was awarded a Fulbright Fellowship to study in London. I found myself in the British Museum, at first content, reading English Renaissance literature. But then came the crisis: the domed silence; the dusty pages of books all around me; the days accumulating in lists of obsequious footnotes; the wandering doubts about the value of scholarship. My year in Britain came to an end and I rushed to ‘come home.' Then quickly discovered that I could not. Could not cast off the culture I had assumed. Living with my parents for the summer, I remained an academic-a kind of anthropologist in the family kitchen, searching for evidence of our ‘cultural ties' as we ate dinner together.
Richard Rodriguez
The emergence of new media (and therefore artistic) formats is certainly interesting. But etching information into copper plates is just as exciting. We think that the perpetual return of 'the new', to cite Walter Benjamin, is nothing to write home about - except perhaps for the slave-drivers in the fashion industry. We've never been interested in the new just in itself, but in the accidental occurrence. In the moment where things don't tally, where productive confusion arises. That's why in the final analysis, although we've laughed a lot with Stewart Home, we even reject the meta-criticism of innovation-fixation articulated in 'neoism'. The new sorts itself out when it lands in the museum. Finito.
Johannes Grenzfurthner
What can one say about a country where a museum of science in a great city can feature an exhibit in which people fire machine guns from a helicopter at Vietnamese huts, with a light flashing when a hit is scored? What can one say about a country where such an idea can even be considered? You have to weep for this country. [...] To me it seems that what is needed is a kind of denazification.
Noam Chomsky
