Punk Quotes - page 13
If it's some style, especially some shrink-wrapped thing hanging on a wall at Toys 'R' Us, then it won't live, it won't be dynamic ... It becomes exactly what the marketing people want - a genre, something to make their job easier. But if it's something like, "Everybody's telling me the wall's over there, but I'm going to push against it and see if it's really there" - to me, that's what punk is. An idealistic attitude.
Mike Watt
I sought a different path than that of my parents. I totally rejected meditation and all the spiritual shit they built their lives on. Looking at the once idealistic hippie generation who had long since cut their hair, left the commune, and bought into the system, we saw that peace and love had failed to make any real changes in the world. In response, we felt love and despair and hopelessness, out of which came the punk rock movement. Seeking to rebel against our parents' pacifism and society's fascist system of oppression and capitalist-driven propaganda, we responded in our own way, different from those before us, creating a new revolution for a new generation. Painfully aware of corruption in the government and inconsistencies in the power dynamics in our homes, we rebelled against our families and society in one loud and fast roar of teen angst. Unwilling to accept the dictates of the system, we did whatever we could to rebel. We wanted freedom and were willing to fight for it.
Noah Levine
My older friends say, "I was in a punk band once, and we used to be pretty outraged. We would get pretty angry, we'd get a stomp going or something, we would rally against Reagan, or other elected officials. But now I am an older man, and I have some responsibilities, so I really cannot be excited. I appreciate Kurt Cobain, and I'm excited about all those bands that seem very angry, but-why would you keep doing this after all these years?" And I say, "Because I still hate you and I'm trying to prove to you that you're wrong." Because, really, if you're bored and you're listless, you just need to get yourself an enemy.
Jack Terricloth
Michael Cole: [reading e-mail from RAW's anonymous GM] And I quote: "Mr. Punk, I understand your demands and I will certainly take them under consideration. However, right now, I'll ask you to leave the ring."
Punk: Okay...Cole, you know I love ya, I know you're just doing your job, but he's asking me to leave the ring? He/she is asking me to leave the ring? Okay, I'm not...
[The GM chime rings again] Cole: And I quote: "I suggest you leave the ring right now."
Punk: Until you announce me as the #1 contender for the WWE Championship, I suggest you watch me make snow angels.
Phil Brooks
Punk (to a fan) :"Sir, you pay your ticket, you wanna boo - that's fine, but I dare you, I dare you to step in between these ropes, and you will never boo again, because I will render you a toothless, crying heap of a man. I am pissed off, and I wanna fight! So if you have the BALLS[censored], I dare you fatso, to step up, be a man, and fight CM Punk! Come on, son, come on! C'mon, c'mon, c'mon. I will render you to tears! C'mon, be a man, or sit down and be a bitch [censored] and shut your mouth"
Phil Brooks
If one strand in the heritage of the Sixties was high-cultural pretension, the other, its intimate inversion, was a hardening crust of knowing cynicism. The relative innocence of rock and roll was increasingly displaced by media-wise pop bands whose stock in trade was a derisive appropriation and degradation of the style forged by their immediate precursors. Much as popular romances and tabloid journalism had once fastened on to mass literacy for commercial advantage, so ‘punk' rock appeared in the Seventies in order to exploit the market for popular music. Presented as ‘counter-cultural' it was in fact parasitic upon mainstream culture, invoking violent images and radical language for frequently mercenary ends.
Tony Judt
You know, the actual punk music, I didn't care for at all. I thought it was all rubbish, really. It was the attitude, the way that things were being shaken up, that excited me more. I still liked people who were good, you know? Who could actually play. Even though The Damned were a punk group, they played great. As did Elvis, and as did Ian. They were the ones who interested me. Not some of those daft punkers, especially the ones who had people who were actually pretty good musicians sort of pretending to play badly. That was just so stupid, and missed the point completely, I thought. So it was the people who were true to themselves, I think, that were the exciting ones.
Nick Lowe
