Van Quotes - page 6
Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.
Colin Wilson
The other morning, I woke up. I was frightened – I'm always frightened in the morning, I don't know where I am. But I heard this beautiful reassuring sound, it sounded like my childhood. I thought, what's that? Is it? Church bells behind the hill? Or, no – it's an ice cream van, in the rain. It was me, BREATHING!
Dylan Moran
On [defense lawyers]: "They lie, they cheat, they'll say anything. They walk a thin line that I don't even want to get near. Like in the David Westerfield case. They knew the whole time he did it, because he knew where her body was, and they used that as a bargaining chip to improve his situation. But when that didn't work [the police found the body on their own], they proceeded to drag the Van Dams through the mud. It's disgusting. Some people argue that the prosecution just wants to get a conviction. What joy would I get out of sending the wrong person to jail?"
Nancy Grace
The private ownership of great art, its seclusion from the general view of men and women, let alone from that of interested amateurs and scholars, is a curious business. The literal disappearance of a Turner or a Van Gogh into some Middle Eastern or Latin-American bank vault to be kept as investment and collateral, the sardonic decision of a Greek shipping tycoon to put an incomparable El Greco on his yacht, where it hangs at persistent risk - these are phenomena that verge on vandalism.
George Steiner
And he (Andy Van Dam) put his arm around my shoulders and we went for a little walk and he said, Randy, it's such a shame that people perceive you as so arrogant. Because it's going to limit what you're going to be able to accomplish in life. What a hell of a way to word "you're being a jerk." [laughter] Right? He doesn't say you're a jerk. He says people are perceiving you this way and he says the downside is it's going to limit what you're going to be able to accomplish.
Randy Pausch
Ambassador Taylor and, and, and, and me, and I, we had a very bad moment together at that day in the general staff. Ambassador want to see me uh because he uh made what we called a young turk at that time, a young general officer, namely Nguyen Cao Ky, and Nguyen Van Thieu, and other general. And uh... to kind of to insult them uh for, you know, being changing what we call the civilian government at that time.
Nguyen Khanh
My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..
Ellsworth Kelly
When I came back to Paris in 1931, after a long convalescence in the South, the 'Abstraction-Création' group had just be founded. Vantongerloo had been given our mailing list. At the same time I learned of Van Doesburg's death in Davos. The first issue of 'Abstraction-Création' came off the press just a year later, printed in the same dusty small shop that had brought out 'Cercle et Carré' and where I had earned a meagre living as a non-union proof-reader and make-up man. 'Abstraction-Création' had a much wider influence than its predecessor. From 1932 to 1936 an annual cahier presented reproductions and statements by painters.
Michel Seuphor
It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.
Pablo Picasso
It is true that other people can help you, and to lasting effect.. .If I hadn't had Beckett in 1940 [in Paris, when Van Velde was strongly demoralized by the death of his wife], I'm not sure I could have stood it. I am really not sure.. .At that time he [Beckett] he was driven by an extremely aggressive and fiery Irish spirit. That has lessened as time has gone on.. .I don't know anywhere in modern art any more faithful or more impressive picture of contemporary humanity than the one he offers us in 'The Unamable'.
Bram van Velde
If these gouaches [Bram van Velde recently made] live at all, it is because they are true, they derive from life. They are born of the unknown – and not of habit or know-how, or intention, or of some recipe.. ..there comes a time when serious work is no longer an effort. When demanding work of that kind no longer tires you.
Bram van Velde
I met Beckett at my brother's [ w:Geert van Velde, also an abstract painter] place. That was a Big meeting [circa 1938, in Paris], in capital letters. It was before war started, life was still normal. That time I was very lonely. We saw each other often. Before the war he had published already something, but his fame came in 1953. We never spoke about his work. He was a taciturn man. Sometimes a word escaped from his mouth. Sure, a word you would never forget. It would stick in your head... This friendship with Beckett is the most important experience in my life. He was fully alive for my way of working. What he could express in words, I did with my paintings.
Bram van Velde
Today it's possible to paint one canvas with the calmness of an ancient Greek and the next with the anxiety of a Van Gogh. Either of these emotions, and any in between, is valid to me... I work on many canvasses at once. In the morning I line them up against the wall of my studio. Some speak, some do not. They are my mirrors. They tell me what I am like at that moment.
William Baziotes
