Van Quotes - page 4
![However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression. (Piet Mondrian)](https://cdn.quotesdtb.com/img/quotes_images_webp/63/piet-mondrian-color-contrast-302563.webp)
It was during this early period of experiment that I first went to Paris. The time was around 1910 when Cubism was in its beginnings. I admired Matisse, Van Dongen and the other Fauves, but I was immediately drawn to the Cubists, especially to Picasso and Léger. Of all the abstractionists (Kandinsky and the Futurists) I felt that only the Cubists had discovered the right path; and, for a time, I was much influenced by them.
Piet Mondrian
The new vision.... does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane... Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].
Piet Mondrian
Through all these researches into an art that would lead to immaterialisation, Werner Ruhnau [German architect] and I came together in the architecture of the air. He was hindered by the last obstacle that even a w:Mies van der Rohe [also a German architect, famous for his reflecting glass skyscrapers in the U. S. ] hadn't been able to overcome: the roof, the screen that separates us from the sky, from the blue sky. And I was hindered by the screen that the tangible blue on the canvas constitutes, which deprives man of a constant vision of the horizon.
Yves Klein
Just as soon as the great and glorious Revolution broke out [1918 - after World War 1. ] I gave notice and now live entirely for art. For a while, I tried to create new forms of art from the remains of the old culture. From this Merz painting emerged, painting that happily used every material – Pelikan [was a famous ink mark, then] colors or the rubbish from the rubbish heap. So I experienced the Revolution in the most delightful way and pass for a Dadaist, without being one. As a result, I could introduce Dadaism in Holland [together with Theo van Doesburg and his wife Nele] with complete impartiality. In Holland I became familiar with architecture for the first time.
Kurt Schwitters
I cannot make a living out of art and I now occupy myself with a variety of things. Of course, I continue to paint and to nail, but in particular I write grotesques and art reviews for newspapers, I organize evenings [a. o. with Theo van Doesburg ] and draw commercial art for newspapers.
Kurt Schwitters
Drama moves us: conflict is an inherent pattern in reality. Harmony moves us too: faced as we are with ever imminent disorder. It is a powerful idea. Van Gogh's drama and Seurat's silent harmony were born in the same country and epoch: but they do not contradict one another; they refer to different patterns among those which constitute reality.
Mark Rothko
![Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner... Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science. (Theo van Doesburg)](https://cdn.quotesdtb.com/img/quotes_images_webp/23/theo-van-doesburg-architecture-446623.webp)
Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins. Do not forget to make proper arrangements for your last will and testament: speaking personally, I ask that I be taken to the cemetery in a moving van. May my friends destroy every last copy of the printing of the Speech concerning the Modicum of Reality.
André Breton
The editor of this catalog asked me to make a statement about my work. I don't have much to write:
- Be a child of your age.
- Be naturalistic against your own ego.
- Be matter-of- fact toward your inner visions
- My love is dedicated to the four great masters of masculine mysticism: Mäleskirchener ([church-painters / muralists, Grünewald, Breughel [both famous painters in the late Middle Ages, ed. ] and Van Gogh.
Max Beckmann
I believe that painter's judgments of painting are first ethical, then aesthetic, the aesthetic judgments flowing from an ethical context. Doubtless no painter systematically thinks this way; but it does seem to me to be basically what happens when modern painters judge any new manifestations of painting... An artist's 'art' is just his consciousness, developed slowly and painstakingly with many mistakes en route. How dare they collect those ugly early Van Gogh's like trophies...
Robert Motherwell
[Severini characterized his approach to the importance of Divisionism for Futurism as] ..a consequence of Neo-Impressionism (Seurat, Signac) and Van Gogh, Toulouse Lautrec, Degas.. [compared to that of his Milanese colleagues who works were] influenced by Jugendstil [and] a continuation of the Lombardian tradition of Segantini, Previati..
Gino Severini
Van Gaal has a good vision on football. But it's not mine. He wants to gel winning teams and has a militaristic way of working with his tactics. I don't. I want individuals to think for themselves and take the decision on the pitch that is best for the situation... I don't have anything against computers, but you judge football players intuitively and with your heart.
Johan Cruyff
Maybe there are a group of gay banditos... who, every night climb into a van and go from village to dell, from community to community. They wander, and as the sun is coming down, just setting over a suburban village, the gays drive in. And there in a cul-de-sac, there in the light of a house, you can see a young American family, sitting down for their evening meal. And those gays... put on their masks and their festive colored robes, and sneak slowly into the house... and begin to FUCK EACH OTHER IN THE ASS! AND ANOTHER AMERICAN FAMILY IS DESTROYED!
Lewis Black
It was very, very hard work organizing that Wall concert but everyone was fabulous to work with - Bryan Adams, Van Morrison, Cyndi Lauper, bloody brilliant. All brilliant. Except for Sinead O'Connor... She doesn't understand anything. She's just a silly little girl. You can't just lie in the corner and shave your bloody head and stick it up your arse and occasionally pull it out to go (_"brogue"_) 'Oh, I tink this is wrong and dat is wrong' and burst into tears.
Roger Waters
Joni uses a lot of alternate tunings; that is, instead of tuning the guitar in the customary way, she tunes the strings to pitches of her own choosing. ...Joni will talk compellingly and passionately about alternate tunings for hours, comparing them to different colors that van Gogh used in his paintings.
Daniel Levitin
That's one thing that's always, like, been a difference between, like, the performing arts, and being a painter, you know. A painter does a painting, and he paints it, and that's it, you know. He has the joy of creating it, it hangs on a wall, and somebody buys it, and maybe somebody buys it again, or maybe nobody buys it and it sits up in a loft somewhere until he dies. But he never, you know, nobody ever, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!
Joni Mitchell
